THE SOUND AND THE FURRY: The Five Hairy Princesses, Pt. 1

     Monday Morning Breakfast was the best time of the week for Queen Azalea and King Basso.  Their children slept late, no guests came to bother them, and no alarming surprises awaited.  Muffins and the morning mail: it made for really a peaceful meal.

     So Queen Azalea was unpleasantly surprised when her husband leapt from his chair, waving a letter and shouting something she couldn’t make out, his mouth being full of muffin and marmalade.

     “What is it, dear?” she inquired.  “Do sit down before you choke.”

     “King Rodney of Deljoley had a plague of dragons at his castle!”  the king shouted, coming back to his chair.

     The queen reached for another muffin.  “That is bad news.  Does he need your army to come and help?”

     “I don’t think so, Madame.  I do not think so.”  He shook the letter and then brought it back to his nose, so he could study it some more.  (He had mislaid his glasses again.)  “Some prince or another…here it is…Prince Gloxx of Gloxinia slew all the dragons, but not before one of them trapped Princess Aster in her tower.  Rodney writes, ‘Unlike any of your daughters, Aster had a very close shave.’  Bah!”

     The King threw the letter down. “Well, to be sure,” the queen said, “It’s only a little joke.”  She picked up the letter and touched one corner of it to a candle on the table. Then she set it on a silver tray and let it burn up.

     “Little joke!” cried King Basso.  “Little joke!  I’d like to take the army over there and give HIM a close shave!”  Jumping up again he drew his sword and waved it above his head. In doing so, he stepped on one end of the scabbard and had to put his free hand flat in the butter dish to keep from falling.

     “King Rodney had never good taste in jokes,” Queen Azalea told him.  “It should be fairly easy, I think, simply to ignore this letter.”  She was calming him down.  Sometimes she felt she had spent her whole marriage calming him down.

     “I should march them over there and just cut his head and his toes right off,” grumbled King Basso, licking butter from his fingers.  “Not that I’m the sort of father to be offended by foolish jokes about my daughters.  Why should I be ashamed of daughters who are unique?  Other kings and queens have children as alike as the faces on cards.  OUR daughters are different.”

     “They are ladies to be proud of,” Queen Azalea agreed.  “They won that volleyball trophy against….”

     “MY daughters stand out from those nobidodies,” said the King, around the buttery thub in his mouth.  “Not that they’re freaks, you understand.  You couldn’t tell them apart from the most beautiful princesses in the world.  They look quite like any beautiful princess, at their best.  Nobody could say that OUR daughters are so different that….”

     “Do you want that last muffin?” asked the queen.

     King Basso put a hand out for it, but stopped.  “Do I have very many appointments this morning?”

     Queen Azalea ran a long finger down the morning agenda the royal chamberlain had brought in.  “Six men are waiting in the throneroom to be interviewed.”

     “Ah!”  The king rubbed his hands together.  “Any royal barbers?”

     She shook her head.  “Only princes.  Two of them are named Jack, though, so there may be hope.”

     “Pooh,” said the king.  “Pooh pooh pooh.  You take the muffin, Madame: I’ll go and get this over with.  Sox, eh?  That’s Monday through Saturday then.  Have the chamberlain put out that ‘No More Princes Needed This Week’ sign.  Are you sure you gave him my proclamation about royal barbers?”

     The queen took up the muffin and reached for the marmalade.  “Yes, I did.”

     The King stood up.  “It isn’t the price of the razor blades I mind.  It’s the unexpectedenesses of the thing.  Why must they be so hairy?”

     “I quite agree,” Queen Azalea told him.  “It must be some kind of curse.”

     “Nonsense!” he snapped, striding from the breakfast room.  “They’re not THAT hairy: not MY daughters!”

     Azalea and Basso had been blessed with five daughters who showed every promise of turning into exactly the princesses any well-appointed royal family ought to have.  Each had eyes like twin bright stars, lips like matched rubies, and long beautiful hair so red and bright that when they stood in a row, they looked like a necklace of bonfires.

     The problem was that there was so MUCH hair.  Every morning, when they awoke, their eyebrows hung nearly to their cheeks.  Their arms were so hairy they seemed to be wearing long red gloves.  And no other woman of good family had  a mustache or beard.  Queen Azalea was really quite vexed by this: it had never happened in HER family.  But she did not mention this to her husband, who would have roared and grumbled.

      The princesses would shave every morning (and it took nearly the whole morning, too) until they looked proper.  The hair would grow back, as beards and mustaches do, just a little bit by bedtime.  But when the princesses rose the next morning, each had a full mustache and a beard nearly to her waist.

     King Basso hired barber after barber, hoping there was some secret known to professional shavers which would help his daughters.  But the hair kept growing back.  Anyway, none of the barbers was quite suitable.  Old barbers were too rough: they weren’t used to shaving princesses.  And young barbers fell in love with the princesses, and had to be chased away.  After all, when properly shaved, the princesses were quite lovely, and could do better than to marry a mere barber.  (The princesses had been named by their father: Dainty, Delicate, Demure, Delightful, and Darling.  Queen Azalea thought these were quite sickly names, enough to make anybody grow a beard in self-defense.  But King Basso was a second cousin to Prince Charming, so terrible names were a family tradition.)

     The princesses showed no sign of growing out of this as they got older.  King Basso finally offered a huge reward to any prince who could watch at night and find out anything about what was happening.  He offered the same amount of gold to any barber who could come up with an answer, but by this time, every barber in the country had tried and failed.

     Princes flocked to King Basso’s castle, each hoping to score the gold and perhaps a chance to marry one of the princesses.  King Basso arranged for one prince to do the watching each night from Monday to Saturday.

     “All right, all right,” he said this Monday, as he did every Monday, to the princes who clustered around him, recounting giants slain or wolves caught in sheep’s clothing.  “You’ll each get your turn.”

     As there were exactly six princes this morning, the matter was not complex.  “I have six marbles in this bag,” the King announced.  “Each a different color.  The prince who draws the blue marble watches tonight.  The green marble means Tuesday night, and the other colors are for other days.  You see how it works, don’t you?  Step up, laddoes.  “You’re Prince Jack of Lostles, aren’t you?   Take a marble, Prince Jack.”

     The blue marble was drawn by the other Prince Jack, Prince Jack of Solinin.  “The rest of you can all go home,” he said.  “I’ll break this curse, Your Majesty.”

     “That’s the kind of spirit I like to see in a prince,” said the King.  “Now, let’s step over to the Royal Dining Room, and the chamberlain will assign you your seats for lunch.”

     King Basso had to eat with the princes because, after all, they were princes.  “And they always grab for the pie first,” he grumbled to Queen Azalea that night.  “And I have to let them have it because I’m such a gracious host.”

     “They’re active young men,” his wife told him, “And need to keep their strength up.  You’re growing a trifle pudgy anyway.”

     “Pudgy?  Getting pudgy?  Nonsense: not on the amount of pie I get.  I’m as thin as ever I was when I was a prince.  In any case, who wants to be that thin?  That’s why young men look so…so terribly young.  I have the figure of a wise, elder statesman.  I don’t look like any prince.”

     “Of course, you do not,” the queen told him.  “Don’t trip on the cat when you put out the candles.”

     The next morning, five princes at breakfast with King Basso, Queen Azalea., and five princesses with long, swinging beards.  “Well, now,” said the king, eyeing Prince Dalma, who had taken the last muffin on the plate.  “Whose turn is it tonight?”

     On Wednesday morning, four princes joined them for breakfast.  On Thursday three.  On Sunday morning, Dainty, Delicate, Demure, Delightful, and Darling had mustaches to their elbows, and the princes had all disappeared.

     King Basso did not approve of princes working on Sunday night, and the princesses were allowed to sleep late Monday morning.  So Azalea and Basso had their quiet Monday breakfast, and the king got his fair share of muffins.

     “There are eight princes waiting for you today,” the queen said, when they finished.  “You’ll need to tell two of them to wait in the village.”

     “I have a good mind to send them all home,” grumbled King Basso.  “They’re grabbing all the pie and doing us no good.”

     The queen folded her hands.  “We could invite heroes and warriors instead, of course.  But I understand they eat even more than princes.  Some day we’re bound to find the right prince, dear.”

     The King’s lower lip stuck out.  “But it’s rhubarb meringue pie this week.  Anyway, what do we need them for?  I was a hero once, AND a prince.  I could do it.  I slew that dragon for you, remember?”

     “How could I forget, dear?” the queen replied.  “You put that big painting of it in the throneroom.  You were quite heroic.  Of course, you DID have that helmet of invisibility.”

     “The dragon could have killed me all the same,” King Basso declared, shaking the marmalade knife at her.  “If he’d breathed fire at me, you know, or…or stepped on me.  It took a real prince with brains, and courage, and strength to beat a dragon.  I wonder if I still have that helmet of invisibility.”

     “It’s probably at the back of the Treasury, with all that other lumber,” Azalea told him.  “I don’t see how it would help.  Nine of the princes who stayed here had helmets of invisibility, too, and they never came back after spending the night.  Unless they were invisible.”

     “They didn’t have MY helmet of invisibility,” said the king, putting the marmalade knife down with the marmalade spoon.  “I need to find that: it was the best of all helmets of invisibility.  Anybody could win if he was wearing that.”

     “Will you lend it to just one prince, then?” the queen inquired, picking up a few large muffin crumbs.  “That hardly seems fair.”

     “I shall wear it,” King Basso informed her.  “Why should MY daughters have to put up with all these gluttonarious princes?  And I won’t have people like King Rodney saying the kinds of things he’d say about princesses who have a different man in their bedroom every night of the week.”

     “What will he say if the king disappears because he was so stubborn?” his wife inquired.  But Basso had gone up to the Treasury.

     The princes were delighted at the King’s decision.  Usually, on retiring for the evening, they had to go right to bed and stay there, lest a prince see them walking around in their nightgowns.  Now they could stay up later, playing cards with their father.  They let him win a few games when he got huffy.

     Finally, though, they all said their prayers and climbed into their beds.  “Good night, Daddy!” called Princess Delightful.  “Don’t let the hair Fairies bite!”

     “I won’t,” King Basso promised.  He put on his helmet of invisibility, drew his royal sword, and sat down in the big armchair usually reserved for a guardian prince.

     The night proved to be dark and long.  King Basso had to poke himself in the foot with the sword now and again to keep from falling asleep.  “Hurry up, hair Fairies, or whatever you are,” he muttered.  “Heroes can’t wait forever.”

     He had no sooner mentioned this than he heard a jingling sound, as of a dozen little silver bells.  In the middle of the wall to the king’s left, he saw a door which had certainly never been there before.

     At the same time, the sound of rustling cloth reached his ears.  The draperies around each princess’s bed were drawn back.  Elegant little feet slid out into elegant little slippers.

     “Where are you going?” demanded King Basso, rising to his less elegant feet.

     The princesses did not reply; their eyes were closed.  The mysterious door swung open.  Each princess walked slowly to and through it.

     “What’s going on?” King Basso demanded shaking the arm of Princess Demure.

     When she didn’t answer, he paused, tapping his helmet of invisibility to make sure it was still on his head.  Then he hurried after the last of his daughters.  The door slammed shut just as he stepped inside.

Blood In the Breeze

     “Hey, are you the ladies who put the ad up in the coffee shop?”

     “This isn’t that ad about strict schoolmistresses who give big bad boys remedial lessons in math and manners again, is it?”

     “No, the one about the buyers for cursed and haunted objects.”

     “Oh yes, sir.  We’re eager to swap clean, unenchanted money for your hazardous antiques.  Do you have something for us?”

     “These wind chimes are cursed.”

     “Interesting sir,  How so?”

     “They’ve been handed down in my family since the sixties.  My great-aunt Rose was found dead under them, on the breezeway.  Her sister, my great-aunt Amy was killed in the kitchen, I guess, but her head was left under the wind chimes on the patio.”

     “Promising so far, but that could be a coincidence.”

     “Just wait.  Amy’s daughter Kelly hung them in her own kitchen, and HER body was found stuffed in the dishwasher.  Her brother took them to his place, and he wound up folded into his foldout couch bed.”

     “This sounds better and better, sir, but tell me.  Did they catch any of the murderers?”

     “Well, Great-Uncle Jay was found dead in a hut in a forest fifteen years after Rose died.  He left a note saying he killed his wife.  Great-Aunt Amy’s next-door neighbor was arrested and confessed.  Kelly’s husband was found with the gun that killed HIS wife, but he tried to shoot it out with police so we don’t know for sure.”

     “I see, sir.  We….”

     “Pete’s girlfriend admitted she smothered him in the couch, and my Aunt Grace always said she was the one who stuffed Paul into the garbage disposal, but the police wouldn’t believe her and she was….”

     “Let me get this straight, sir.  Everyone who used these wind chimes was murdered by someone they knew.”

     “Yes, and all within forty-right hours of hanging up the chimes.  You see why I’ll be glad to get rid of them.”

     “Indeed, sir.  But we cannot buy your wind chimes, sir.  They are not cursed.”

     “How can you say that?  Obviously they’ve driven forty-three different people to insanity and the murder of members of my family.”

     “I understand, sir.  But living around people with sensitive ears is simply your family’s bad luck.  The rest is standard practice for wind chimes.”

The Jaspers and the Rubes

     We have mentioned, in an exploration of joke archaeology hereintofore, that jokes made by one group of people against another were regarded as being in poor taste as early as three generations ago, while others continued without a lot of controversy.  The town/country joke went on for centuries (Aesop covered t) but it has largely been fading away.

     Yes, yes, the old Jeffersonian suggestion that one of these groups of people is better than the other DOES go on.  But radio, movies, and television started chipping away at the jokes a hundred years ago or thereabouts.  Folks from the country already KNOW the city has big buildings in it.  They don’t stop in the middle of the sidewalk to stare and cry “Land o’ Goshen!”  (No, it’s NOT because people don’t care where Goshen is nowadays.)

     The horseless carriage is no longer a wonder restricted to city folk, either.  The twentieth century plowed under all manner of differences between the rural and the urban, even as postcard cartoonists were putting jokes about them up for sale.

     This one, for example, shows us a back country tourist finding the new electric lightbulbs aren’t worth a dang for lighting one’s cigar.  This postcard is only two or three years younger than one you have seen in this space, in which a group of gentlemen try to light their cigars after dinner and learn the same thing.

     And here is the same essential plot in another setting.

     This couple, who come from a stereo card rather than a postcard, are not the only ones confused by the instructions found in hotels.  Later cartoonists would show city travelers who were similarly new to modern hotels getting confused about the “ring bell for water” sign.

     The observable difference between what country folk wore and what city folk wore would take another generation or so to change (and Mandy would, by mid-century, simply turn into an older person shocked at what YOUNG folk were wearing at the beach.  But that’s a whole nother blog.)  Sears Roebuck expected credit for this, and I’m not sure they were wrong (though those of us whose mothers also received the Montgomery Ward, J.C. Penney, and Alden’s catalogs know Sears was not alone.)

     The longest lasting source of town and country humor of course, involved plumbing.  It took a lot longer for running water to make it into rural areas than it did for electricity.  And somehow potty humor never grows old.  (Or up.)

     This presented postcard cartoonists with a double blessing.  Because the postcard buying audience found country folk unused to city bathrooms just as amusing….

     As it did city folk who had no clue about country facilities.

     Looking back at comedy generally, we find that the country folk got nearly as many shots in at the Big Town Jaspers as the city folk did at the Reubens from the sticks.  But on postcards, this shows up nowhere better than in the use of The Necessity.  (Or The Euphemism, as Dr. Seuss brilliantly named it.)

     Even here, though, technology has sent most of these jokes into the realm of nostalgia.  The outhouse, like the postcard, has grown scarcer in the modern world, and the country cousins are as likely as city tourists to seek other options.

     As mentioned, the debate goes on about whether living out in the country makes you a better person than surviving in the big city.  Only the jokes have faded, leaving the barest hint of their old flavor on the passing breeze.  Pity, really: a chance to find we could all laugh at the same potty jokes isn’t much in the grand scheme of things, but it was something.

THE SOUND AND THE FURRY: The Boy Who Woudln’t Cry Wolf, Pt. 2

     Farther down, the path was bordered by tall pink walls that had blue eagles carved into them.  Jack did not like these.  Little blue dots on the pink seemed to shift as he watched, and the glittering jeweled eyes of the eagles appeared to be following his progress as he and the fox moved farther along.

     The walls rose higher as the adventurers traveled lower.  Soon Jack spotted another gate, this one with bars of silver set in a frame of ruby.  Because he knew where to look for it now, he saw the sentry box, too, and spotted ye giant rat just as Cavia shouted, “There he is, Rudolph!  Go get him!”  Then his fox guide disappeared, with a flip of that big red tail.

     “Arrrrh!” snarled the rat, starting forward.  “Who goes there?”

     Jack had had time to think up a new lie.  “Cheeseman!” he declared.

     The rat paused.  “A man made of cheese?”

     “No no,” said Jack, quickly.  “A man who delivers cheese to faithful guards.  I was supposed to bring you a great deal of cheese, you being so smart and strong and loyal and all.”

     “Nobody deserves it more.”  The rat looked left and right.  “Where is it, then?”

     Jack spread his hands.  “I had nearly reached Your Eminence’s date when this horrible fox with his sneaky magic came and enchanted it so that now it looks like part of the wall.  And I can’t tell which part of the wall is really cheese, what with this cold in my nose and all.”

     “That fox again, eh?” snarled he rat.  “He’s a troublemaker.  Stand back while I give it the old taste test.”

     Rushing past Jack, the rat plunged straight at a section of the wall and but down so hard that the wall shook.  So did the rat.

     “Oh!” the rat moaned.  “I think that rattled my brain.”

     “I don’t think you’ve got one to rattle,” called the fox, zipping forward to join Jack on the other side of the gate.  The rat spun and rushed at them, but smacked into the bars.

     “Ho ho,” chortled Cavia.  “A cheese fiend au grating.”

     “Are there more of these?”  Jack moved farther down as the rat tried to reach in and grab them.  “Pretty soon someone’s going to give us the gate.”

     “One more,” said the fox.  “We don’t need to keep up this cat and mouse game forever.”  Cavia set off downhill again.

     Realizing no more details were to come, Jack moved downhill.  He could see more of the city now.  Those tall, thin towers branched out into what seemed to be diamonds but, on further study, appeared to be rooms domed over with glass.  Jack saw people inside these, but since he never saw them move, he decided they were either statues or people who got around very, very slowly.

     His eyes were on this amazing municipality until the fox called out, “Mind the mud patch!”

     Only narrow dry paths remained of the path, running along each side of a dark, vast puddle.  “Not very tidy,” said Jack, sliding along the wall to the left.

     “Yes, but it’s enchanted mud,” said Cavia, trotting briskly along the right side, “It’ll suck in anyone careless enough to touch it.”  Jack curled his toes under and walked a little faster.

     Beyond the magic mud was a big iron door.  No sentry box waited here, and, more importantly, no bars to squeeze between.  Jack looked for a handle or a latch, but the only thing he saw was a curly silver horn hanging at eye level.

     “Blow into that so we can get in,” the fox commanded.

     Jack blinked.  “What if somebody hears us?”

     “That’s the idea, Rudolph,” Cavia replied.

     Jack wiped the mouthpiece of the horn, to be on the safe side, and then blow into it.  He didn’t blow very hard, as he was still a trifle unsure about this whole business.  But by the time the sound had worked its way through all the curls and coils of the horn, it was loud enough to rattle the door.

     The door was rattled from the other side by a loud voice.  “Fo fum fi fee: I think you play that thing off key.”

     The gate swung open.  This didn’t help, because the space was now filled by a golden giant, his armor gleaming and blue beams of light flying from his eyes.  At his elbows, instead of forearms, he had two mighty swords.

     “Stand and be chopped, intruders!”

     He could see there were two intruders because Jack had been quick enough to grab the fox’s tail before Cavia could escape into hiding.  “Chop away,” Jack chuckled.  “You’ll never chop me, I’m afraid.”

     The giant took one step forward.  “In your place, manling, that is the last thing I’d be afraid of.  Why will I not chop you?”

     Jack winked, and yanked Cavia’s tail.  “This fox thinks I don’t know, but I can be beaten only when he is not right next to me.  It’s part of a blessing from my fairy godmother.”

     Now the giant chuckled.  “I thank you for that secret!  Let this teach you not to tell strangers too much about yourself!”

     The twin swords chopped down, not at either intruder, but right between them.  Jack let go of the fox’s tail and jumped to one side as Cavia ran to the other.

     “Now he’s not next to you,” the giant chortled.  “And now I can…hey, I’m stuck!”

     Sure enough, the giant had chopped so furiously that the tips of the sword had splopped into the enchanted mud.  “Oh, don’t bother to get up,” said Jack, jumping past him through the open door.  “We’ll let ourselves in.”

     “You said I’d win if the fox wasn’t right next to you,” hollered the giant, his toes digging grooves in the roadway as the enchanted mud sucked him in.

     “I lied,” said Jack, and that time he told the truth.

     He turned to speak to the fox, but the words died on his lips as, for the first time, he saw the city from the inside.  It was grand, glorious, still.  Brave banners hung limp from the tips of delicate towers, light twinkled at the corners of gemlike windows.

     “Nice, isn’t it?” said Cavia.

     Jack shrugged.  “Well, if you like things cobbled together out of exotic gems and precious metals, it’s not bad.  Perhaps a little gaudy for my tastes.”

     “Ah, Rudolph, you are a person of refinement.  You must tell me what you think of the palace.”

     Jack looked down the road, expecting high stone walls and another barred gate.  What he saw was a vast pink dome, its grand front door covered in whorls of sizzling colors.  It took Jack’s breath away, but not so much that he failed to notice this door was ominously ajar.

     “What horrors are waiting for us in there?” he demanded.

     “You’ve got to kiss a princess,” the fox told him.  “Think you’re up to that, Rudolph?”

     “Mmmmm.”  Jack studied the marble stairs on the other side of the door, and stepped inside.  “Let’s see.”

     He saw quite a lot.  From the orange and silver tiles on the floor to the shimmering yellow ceiling, the interior of the palace was an exercise in optical opulence.  Each succeeding room was more elegant than its predecessor, with its own assortment of colors and gleams.  At last they reached an impossibly lovely chamber hung with pink and gold silks.  At the center of these was a platform bearing a golden gondola with pink draperies.

     Among these drapes of pink was a still, silent person, obviously a princess.  This was obvious in the angle of her jaw and the delicate flare of her nostrils as she breathed in and out.  Jack himself found it a little difficult to breathe.

     “Who is this?” he whispered.

     “That, Rudolph,” said Cavia, “Is Princess Fanny.  Centuries ago, she and her entire city were put to sleep by  an evil vizier.  We foxes were the only ones clever enough to escape and tell the tale, which has been handed down in my family for generations, about the great golden age that was, and will begin again once she is awakened by a kiss from her hero.”

     “Golden age,” murmured Jack, moving slowly up the stairs.

     “The details have gotten muddle over the years,” the fox said, trotting next to him.  “There’s a lot about a ban on fox hunting and chicken for everybody.  Get on with it.”

     The average shepherd gets few opportunities to kiss a princess, and Jack was unsure how to begin.  Nonetheless, it seemed at least as easy as dodging a giant rat.  The princess’s eyes fluttered open.  They were as bright and clear as Jack had known they would be, and her voice, when she spoke, was music from afar.

     “Is it true?” she whispered.  She sat up.  “Is it time for us to wake?  Are you the hero who has saved us?  What is your name?”

     Jack was too dazzled by her beauty to reply for a second.  In that second, Cavia sat up and shouted, “Rudolph Fairbairn McButtermilk IV!”

     A tiny wrinkle appeared between Princess Fanny’s eyes.  “Oh, pooh!” she said, her gentle lips forming a pout, “The fairies said the curse would be lifted and the new golden age begin when a hero named Jack kissed me!”  The beautiful head dropped back onto the pillow.  She closed her eyes.

      “Wait!” cried Jack.  “I….”

     The scene before his eyes blurred and went black.  He realized after a moment that everything was black because his own eyes were closed.  When he opened them, he was lying in the meadow, with all those sheep.

     “Asleep,” he muttered.  “Dreaming.”  But when he turned his head, there was Cavia, studying him over a little mound of earth.

     “Sorry about that, Rudolph,” said the fox.  “I never heard that last little bit of the story, or I wouldn’t have put you to so much trouble.”  With a flip of the tail, the fox disappeared.

     “Hey!” yelled Jack, crawling to the hole so he wouldn’t waste tie standing up  “Hey!”  Both fox and hole were gone.  Jack grabbed a rock and flung it at a sheep that wasn’t doing a thing wrong.

     Jack vowed that he would never lie about anything again, profound or absurd.  This didn’t matter much, as he never found his way back into the cave or the sleeping city.  But he became known as the most honest shepherd who ever lived, and that must be worth something.

Woman’s Work?

     As you will of course recall from our last thrilling episode, we were considering what vintage postcards had to show us about women in the workforce, especially in jobs traditionally associated with men.  The main conclusion we drew from the examples was that the postcard artists were less interested in reviewing current societal norms than looking for an excuse to produce a card which people would buy.

     We can see that in postcards covering more traditional female jobs as well.  This card, for example, has less to say about the roles of men and women or jobs for female workers than it was an excuse for a good old Bamforth gag.  (As this is a Bamforth card, the lady on the right is almost certainly being played by a man.  But a discussion of cross-dressing in postcards is a whole nother blog.)

     And this artist was not making a comment on the indignities endured by servants.  The card was going for the double market for cards with shapely women on them AND cards with cats.

     Women who indulged in cleaning floors in larger operations were generally large and ungainly…and watching through the keyhole.  The ideal customers for this card weren’t looking at the cleaning women but wishing they could see what the women were seeing.

     Cooking, of course, was as homely a job as cleaning the floor, whether at home or for a larger concern.  (Surely she wouldn’t be wearing a chef’s hat at home, where she could be less formal in her attire.)

     While the pretty waitress was as standard in postcards as in popular song.  (The waitress snarking back at travelling salesmen at lunch can be seen in “My Mother Was a Lady”, a hit from 1896.)

     And the attractive shopgirl was also a staple in pop fiction and postcard jollity.

    All of these stock characters were familiar to the potential buyers, and made the joke easy to understand and appreciate.  That meant a sale.  Exactly how many businessmen were sent postcards featuring an elderly executive hiring a charming secretary cannot be estimated.  What the businessman thought of this, especially if the card was sent to the office by his wife, is also lost to history.

     Therefore, in search of postcard purchses, artists did not neglect the nurse….

     The schoolteacher….

     Or the showgirl.  What we can pick out of these little tableaux depends more on our own angle when we seek historical data.  We must remember is that the artist was not striving to preserve an insightful or even accurate picture of conditions at the time.  In looking for a gag that would help them pay the rent, they did hold up a mirror to the thoughts in their heads, which reflected times they lived in.  But, like a mirror, what they show should not be taken as a perfect picture (the best mirrors still get everything backward.)

     So we must try not to read too much into their depictions of women pursuing their professions.  The things you see depend at least partly on the thoughts in YOUR head.

Man’s Work?

     The First Golden Age of Postcards, when the fad was at its peak and millions of these little analog text messages were selling every year, roughly from 1907 to 1914, saw a growing public notice of the movement of women into the work force.  Women had always kind of BEEN part of the work force, but these Modern Women were starting to challenge men for traditionally male occupations instead of keeping to their place behind a needle.

     This train of thought was suggested to me by the arrival in my inventory of three postcards featuring this obviously female and slightly threatening barber.  The set, possibly part of a larger series, emphasizes the pleasure of a male customer at being attended by her staff of female attendants.

     In fact, though we see here that women could be employed as bookkeepers as well, neither the postcards of the 1910s or their descendants in later decades were out to prove women could do a job as well as a man.  The postcard companies were more interested in selling postcards than in making a point.

     The best that could be said of them was that they accepted that women DID do jobs associated with men.  The jokes told by the artists involved weren’t about whether they should or could, but about finding a saleable gag to go with the job.

     World War II gave momentum to the movement of women into the work force, and the WAC postcards  The woman soldier was a hard sell in some markets, but the postcard artists did their best to show how much they had in common with their male counterparts.  (Sleep, for example: the most precious commodity for any soldier.  One WAC told me you didn’t waste these opportunities.  In fact, she said, you didn’t even notice them: a second after your head hit the pillow, the bugle blew.)

     The war’s effect on farm labor was also well documented.

     Though in fact, the farmer’s daughter and the pretty milkmaid were staples of literature, postcards, and jokes long before the war.

     It continued during the War as well.

     And, odd though it seems, even the female blacksmith predates that war.

     Like the male blacksmith, female blacksmiths did have to move away from horses and toward horseless carriages as time went by.  Postcard artists may have been more interested in showing off an attractive pair of legs than meditating on the social phenomenon they represented.

     That legs sold more postcards than sociological meditation on the role of women in the workforce was simply an occupational hazard.

THE SOUND AND THE FURRY: The Boy Who Wouldn’t Cry Wolf, Pt. 1

     You probably recall that there was once a town that lost all its wool and mutton because the boy who was hired to tend the sheep got bored.  He took to hollering “Wolf!” when there was no wolf, just to see all the townsfolk turning out to help him.  Naturally, the one time there WAS a wolf, no one believed hi when he hollered, and that story ends rather red.

     No far away, in another town, another shepherd, Jack, heard all about this, and saw the moral at once.  “What a shame!” he thought.  “Anybody should realize that if you tell lies about important stuff, you’re going to get hurt.  The secret is to tell lies about stuff nobody cares about.  You can have just as much fun, and keep out of trouble.”

     Jack got to be pretty good at this.  Shepherds, you understand, have very little to do all day but look at sheep, to make sure none of them get into trouble or turns out to be a wolf who took the job under an assumed name.  So he had plenty of time to practice unimportant lying.

     He’d lie to anybody who walked by.  “You might want to walk careful around that rock there, Mister,” he’d say.  “It just hopped across the road to get to that place, and I’m sure it winked at me.”

     The traveler would stare at Jack and then walk over to kick the rock, or just walk around it, way wide.  Either way, no one got hurt, particularly.  And if the traveler was going in the direction of town, and mentioned the strange story the shepherd had told him, the townsfolk would tell him, “Well, Jack’s an honest lad at heart.  Anyhow, he never hollers ‘Wolf!’ when there’s no need.”

     But because the sheep spent their time in a lush green pasture that had no attractions beyond grass, not many travelers did pass by.  That didn’t bother Jack.  He’d just sit and lie to the sheep.  This made no difference because the sheep never listened.

     “You know,” he’d say, “I understand the queen needs new robes.  So I’m going to have to start feeding you goldenrod.  That way you’ll grow golden fleece.”

     The sheep, busy nibbling every blade of grass right down to the ground, were too preoccupied to pay much attention to this, though one or two would say “Bah!”

     So Jack would go on, “Yep, that’s how we do it.  Goldenrod.  The golden fleece.  Had a terrible fuss a few years back, when I was feeding sheep goldenrod and they got into some bluebells.  The wool came out green, of course, from the mixing of the yellow and the green.  The queen was ever so angry.  But then I showed her that, just the way there was real gold mixed in with the golden fleece, there were emeralds mixed with the green fleece.  So she decided not to cut off my head but instead cut me a piece of her own personal rhubarb meringue pie, baked by the royal bakers, and served to me on a golden platter.  She said I could take the platter home if I liked, but Mom and Dad had told me to fetch all the firewood I could carry, so I just didn’t have any room for that.”

     He would just go on and on.  It got so that he could tell a hundred lies to the sheep every day, and two hundred on Saturday so he wouldn’t sin by working on a Sunday.

     One morning, he had just settled himself onto a soft spot of grass under a tree, and propped his crook against the trunk, when a small red head popped out of the grass.  Jack didn’t notice, because he’d already started in on his first lie.

     “Did I ever tell you about the purple sheep?” he inquired.  None of the sheep replied, being busy, and he explained, “I was sitting here, just as you see me now, when I noticed this purple sheep mixing in amongst the others.  Now, I don’t swear to know every sheep in a flock by first name, but I was reasonably certain there hadn’t been any purple ones when I left town.  So I reached out with this crook right here and caught the fellow by one hind leg.  “Oh, sir!’ he squealed, which surprised me because no sheep had ever called me “Sir’ before.  ‘Oh, sir!  Let me go and I will grant you three wishes!’  Well, I thought about it and….”

     “I beg your pardon.”

     Jack looked all around the sheep to find out where this voice had come from, but finally thought to look down.  The head of a small fox was regarding him from the grass.  Jack was alert at once.  In general, a fox wasn’t big enough to carry off a whole sheep, but foxes were known to be crafty.

     “My name is Cavia,” said the fox, tipping its head to one side.  “What’s yours?”

     It didn’t make any difference, and Jack saw no reason to be on first name terms with a fox.  So Jack replied, “My name is Rudolph Fairbairn McButtermilk the Fourth.”

     “Ooh,” said the fox, rocking back on its haunches, “An honor to meet you, I’m sure.”

     “I know,” said Jack.

     “Anyone with a name like that is far too grand to be a shepherd,” the fox told him.

     Jack had often thought this even leaving the name out of it.  But he yawned and said, “Well, a fellow must do something to pass the time.”

     The fox eased a little closer.  “Well, Rudy…do you mind if I call you Rudy?”

     Jack raised his nose.  “I prefer Rudolph.”

     “Okay, Rudolph,” said the fox.  “Would you mind being a prince instead of a shepherd?  You look like  strong young man who could rescue a princess from a curse and marry her and live happily ever after on a prince’s salary.”

     “Well, now.”  Jacked leaned back and looked up at the clouds.  “I don’t know that I care so much about the money, but I suppose a fellow ought to do what he can to rescue a princess.”  This may or may not have been a lie, as Jack knew very little about money and nothing about princesses.

     “Do you mean it?” asked the fox, apparently anxious.  “You wouldn’t lie to me, would you?”

     Jack felt this question was a little too personal, so he replied with a question of his own.  “Why?  Do you know where there’s a princess who wants to be freed from a curse?”

     “I do.  If you’d be good enough to follow me, Rudolph, I’ll show you.”  And with a flip of its brushy tail, the animal vanished.

     Jack rolled to his right and studied the grass where the fox had been.  A big hole was waiting; the fox had just gone down inside.  This bothered Jack.  Being a conscientious shepherd, he had check the area for holes in the ground a sheep might fall into before stopping there.  Sheep. Being interested in little but grass, would fall into any hole that was there, given the opportunity  And there had been no such hole as this when Jack was checking.

     Before Jack could make up his mind how he thought about this, the fox’s head reappeared.  “You coming, Rudolph?  The princess is under a curse, so she’s not going anywhere, but I have other things to do if you’re not interested.”

     Jack got up, looked around at the sheep, and then stepped down into the hole.  The path he found there was not particularly pleasant.  Water was dripping, and Jack was sure he could hear something creeping along the path.  Then he remembered that HE was creeping along the path.

     “How much farther?” he asked the fox, half walking and half sliding along a part of the path that had a lot of sharp rocks.

     “Oh, any time now,” the fox called back.  “See the light up ahead?”

     Jack did see a bright spot ahead of and below him.  He blinked, and the light rose before him like smoke blown on the wind.  He blinked again: the damp dark tunnel was gone.  Now he stood on a narrow dirt path littered with boulders, and lined with tall red and blue columns.  Far below him, on both sides of the path, he saw a vast city, shadowed but shiny.  Tall, thin buildings reached up to the ceiling of an enormous cavern, with glowing spires and shimmering lights he did not understand.  It was all so sparkly, and yet so silent.

     “Heads up!” called the fox, as Jack stood staring.  Jack looked down, of course, and saw the fox’s tail disappearing under a boulder to the right of the path.

   “Ahem,” said something else.

     Jack had hitherto neglected to look straight down the narrow path.  Not much more than twenty yards ahead of him sat a great gate with golden bars, blocking any forward progress, although Jack estimated they were far enough apart for him to squeeze through.  (Shepherding is not an occupation in which one puts on fat.)  But there was a sentry ox next to this, and blocking access to the gate was a huge hand, standing on fingers each taller and broader than Jack.  Where the wrist should have been was a broad bald unfriendly head.

     “Why do you approach the city of Merripat?” demanded this head.  The mouth showed rows of broad, flat teeth.

     Jack threw himself on the ground and, groveling in an amiable way, cried, “Oh, Master!  This vicious fox told me there was unguarded treasure in this place!  If I would just follow him, I would find unguarded storehouses where I could walk in and take all the chewing gum and maple sugar I desired!  But when Your Magnificence appeared, the traitor ran away!”  Jack threw a hand toward the boulders to the left of the path. 

     The hand scratched its nose with its little finger…or leg.  “Him again, eh?  I’ve had trouble with him before.  “Wait right here.  I will deal with both of you together.”

     The fingers hurried the sentry past Jack and up the path.  Scooting forward, Jack plunged at the gate.  He had estimated correctly; he squeezed between bars without any trouble.  The fox, coming from behind its boulder, simply squeezed under.  They ran down the path until they were out of sight of the sentry box.

     “I’ve got to hand it to you, Rudolph.  You really tricked him.”

     “That’s not very funny,” Jack told the fox.  “You could have told me about him beforehand.”

     “What did you expect?” Cavia demanded.  “Cursed princess always have guards on hand.  Or vice versa.  But I knew he wouldn’t get anyone as daring as Rudolph Fairbairn McButtermilk the Fourth under his thumb.  Come on.”

     Jack had stopped in the middle of the path.  “Are there any more gates like that one ahead?”

     “Why?” asked the fox.  “Are you thinking of turning around and going home?”

     Jack saw the point, and followed.

FICTION FRIDAY: Pyramid Power Down

     “Ready for that three o-clock appoint…oh, it’s you.”

     “I’ve got it this time.  I truly have.”

     “Mr. Forsyth, we at the Society for the Proliferation of Conspiracy Knowledge have a lot to do since the invention of online communication.  We have bent over backward to try and disseminate your pyramid theory, but it just hasn’t generated any follow-up.”

     “But I tell you, my latest translations from the Ancient Scroll of Thlekethron has filled in the gaps!”

     “Sir, there are other people spreading word that the pyramids gather cosmic energy.”

     “That’s true.  But the Scroll….”

     “And your claim, based on a scroll you found in the leftovers from your neighbor’s garage sale….”

     “He did a lot of hiking in Europe when he was in college.”

     “…has done very little more but add one more voice to the idea that the cosmic energy was being gathered to preserve stasis chambers for a race of ancient astronauts twelve feet tall and possessed of technology beyond our understanding.  It’s nothing new, Mr. Forsyth.”

     “But it’s all right there in the scroll, I tell, you: the whole plan, even the time and date they plan to return and bring the benefits of their science to our society!”

     “Yes.  Which, let me just check your file, was to happen at noon, Chicago time, on January 1, 1939.”

     “Yes, but I….”

     “And your claim that governments everywhere somehow hid these giants all through the Second World War….”

     “That was just a hypothesis based on the information I had at the time.  I admit I was wrong.  But I’ve been working with an AI translator….”

     “On a language no one else has ever seen.”

     “It has similarities to the script in Voynich, but that’s not the point.  I have new translations.”

     “Okay, Forsyth.  NOW what date will the giants return?”

     “I don’t have any changes on the date.”

     “You shock me, Forsyth, but that is at least moderately interesting.  What have you repaired in your extremely leaky theory?”

     “It’s in the lead-up to the plan to arrange the stasis chambers under the pyramids around the world.  The leader of the giants, Wisdomspeak was working extensively with, Quickeyes, his ‘klatzaplud’, which I was translating as ‘Vizier’ or ‘Advisor’.  I missed the connection with the title of Wisdomspeak’s consort, the ‘damaplud’.  And now everything is clear.”

     “To you, perhaps, Forsyth.”

     “The Klatzaplud was an advisor, but his real title translates as ‘brother-in-law’.  And the sentence about him ‘being aware of a wise old scientist’ actually translates that he ‘knew a guy’!”

     “So….”

     “So this proto-pharoah Wisdomspeak trusted his brother-in-law to set up all the technology.  And the stasis chambers never worked.”

     “Great Scott!”

     “That’s right.  Nothing happened on January 1, 1939 because Quickeyes got his tech from some charlatan who scammed the….”

     “Hang on a second.  I need to get Francis and his Truth Team  on this right away.  It’ll knock those latest flat-earthers right off their disc!”

Pooling Our Imaginations

     This was a popular postcard when I listed it for sale.  I was grateful that potential buyers were interested, but mildly confused.  It is not ESPECIALLY old (that it advertises cable available in each room makes it younger than I am, so it’s practically brand new).  And then I spotted it.

     It would be foolish to claim this is the ONLY swimming pool in the world shaped like a wooden shoe.  But the shaped swimming pool is a source of fascination even for those of us whose experience is limited to rectangular public pools and circular swimming pools that had to be inflated before they were filled with water.  As I understand it, most people who built swimming pools were limited to rectangles.  Our ancestors used boards to build the pool or to serve as frames for the pouring of concrete and these tended to be straight and flat.  (At least, no one told me about any pools shaped like boats or other things made by curving the wood.)

     The earliest wild weird shape I could find was a pool shaped like the letter T, built for William Randolph Hearst for his elaborate home at San Simeon.  (This was later replaced, so you can’t go look at it.)  It was not until after World War II that changing the shape of the pool became easier (at least for people with deep pockets.)  And even then, the new shape was simply described as “kidney-shaped.”  (Which COULD lead us to the fine old joke about the man who bragged about having a “kidney-shaped pool that even has a stone in it.”  But let’s ignore that.)

     Apparently, we owe the explosion of shaped swimming pools to country singer Webb Pierce, who asked for a guitar-shaped swimming pool in 1952.  No one explains where he got this idea, but once it hit the newspapers (and you can bet it did) the gates were open.  Liberace countered with his piano-shaped pool.  (Both of these were preserved and can be visited by pilgrims today.)  Then Jayne Mansfield required a swimming pool shaped like a heart from her husband-to-be.  Those three shapes became the most popular for people wanting something special.  There is a “broken heart” swimming pool dedicated to Elvis Presley (the crack in the heart is a design on the floor of the pool), plenty of cellos and fiddles which developed from the basic guitar shape, and pianos which try hard to beat Liberace’s original (which had keys you could step out of the pool onto and a fence of piano keys around it.)

     But we are not limited to these originals.  There is a cat-shaped pool with little concrete islands for eyes.  An airport not far from that has a pool in the shape of an airplane.  There are diamonds, clubs, and spades to accompany hearts.  I have seen a fish, a scallop shell, a buffalo, a yin/yang symbol, and a body part I shall not name, but if I were swimming in would be careful where I climbed out.

     It was not until I saw a couple of pools shaped like the state of Texas that I realized my real mission.  We cannot ALL have swimming pools shaped like musical instruments and, in any case, a flute isn’t going to impress a LOT of tourists.  But in the name of civic pride, there ARE other possibilities.

     “It may look like a square pool to strangers, Mister, but our pool’s shaped like the great state of Colorado.”  “Yes, Ma’am, this was built so people addicted to chocolate can enjoy their exercise: we built ‘er in the shape of a Hershey bar.”  “What do you mean, it doesn’t look like a Lord of the Rings swimming pool?  It’s the same shape as the first edition of ‘The Fellowship of the Ring’.”

     Chambers of Commerce LOVE coming up with stories, so your town could spin out one about the pirate captain who founded the town and left money for a swimming pool shaped like the plank his prisoners had to walk.  Or maybe the civic swimming spot is the splashy legacy of the town’s first librarian, who invented the 3×5 card.

     Let other people spend their money building a pool shaped like a Volkswagen Beetle or a Hershey’s Kiss: you can buy inflatable pools nowadays shaped like THAT stuff.  But YOU can declare you were inspired by swimsuit pioneer, scandalous actress AND champion swimmer Annette Kellerman, and built a swimming pool shaped EXACTLY like a swimming pool.

THE SOUND AND THE FURRY: Coffey and the Beansprouts, pt. 2

     Coffey told his mother the whole story over lunch.  The discussion of what the cat deserved as a reward went on all afternoon.  Mistress Klotsch agreed that any cat who let them have a magic frying pan deserved something appropriate.

     “Why don’t you take it a jar of applesauce?” she suggested.  “We have plenty, and it’s very good this year.”

     “That’s a good idea,” Coffey said.  “Everybody likes applesauce.  Even a cat must like applesauce.”

     Early next morning, when Coffey was rested up from his ordeal and had washed all the dirt from his hair, they rolled back the coverlet which had protected the little beansprouts.  Mistress Klotsch handed Coffey a large jar of applesauce, and watched in amazement as her son took hold of one of the beansprouts and disappeared into the ground.

     “Fritters!” she exclaimed.  “It may be quick but you’ll never get ME o travel on one of those things.”

     Coffey dropped right into the tunnel, his arms wrapped around the jar so it wouldn’t break.  Before he could catch his breath, he heard sounds from a dark end of the passage.  A shelf was attached high on the wall, so he climbed up to hide on it.”  The trells are so short,” he thought, “Maybe they won’t look up here.”

    He did not find out where the trells would have looked, for it was the cat.  “Do you know,” the animal sad, “That you look completely ridiculous?”

     “I brought a gift,” Coffey said, jumping down.  “It’s a jar of applesauce.”

     “Applesauce?” said the cat.  “Nnever heard of it,  How do you know I’ll like it?”

     “Oh, everybody likes applesauce,” said Coffey, pulling up the lid.

     The cat sniffed.  “Well, I’ll taste it.  But this in no way obligates me.”

     Coffey set the jar on the floor.  The cat stepped daintily up and put its tongue down for a taste.  It took a second taste, and then a third.  After about sixty of these tastes, the jar was empty.

     “A little too sweet,” said the cat, licking a stray blob of applesauce from one whisker. “No, that won’t quite do.”

     ”Oh.”  Coffey picked up the jar.  “I’ll, um, just take this back, then.”

     “But you are a very honest young man,” the cat went on.  “So come this way. I’ll showyou something.”

     The cat set off down the hall, not even looking back to see if Coffey was following.  Coffey did, as he had no plans for the rest of the day.  The cat led him to a small door in the wall of the tunnel.  Behind it was a little room stacked with bags,  Little cupboards sat above these bags.

     “This is where the trells keep their chicken feed,” the cat told him.

     “How interesting,” said Coffey.  “Our neighbor has a shed for that, just like this, only dustier.  She keeps books there, to hold up some of the shelves, and the books get so dusty that….”

     “The trells,” said the cat, its voice a little louder, “Have a chicken that won’t lay eggs any more.  They cannot have a chicken eating their corn and not laying eggs.”

     “Ah,” said Coffey, nodding.  “Are they going to make soup, then?”

     “Trells do not eat chicken soup,” said the cat.

     “What do they ear?”

     “You, if you don’t keep quiet  Now, get into this bag.”

     Coffey obediently climbed into the empty bag, and the cat drew the drawstring tight above him.  Then, reaching out, it used a claw to tear a little hole in the side so Coffey could see.

     Two trells walked into the room just a second later.  One led a little red hen at the end of a string.  The other walked to one of the cupboards, opened it, and took out a silver kettle filled with corn.  She took two kernels of corn from the kettle and tossed them onto the floor in front of the chicken.

     The chicken snapped up the corn at once.  There was a sound rather like “pting” as the chicken shivered and became solid gold.

     Coffey fund this sequence of events interesting, but it was not until the first trell picked up the gold chicken and took it to another cupboard to set it in with perhaps a dozen other solid gold chickens, that he said “ooh!”

      The first trell slammed the cupboard door and leaned down to start sniffing the bags of corn.  The other hurried over to open and check inside cupboards filled with gold chickens.

     “Problems, ladies?” inquired the cat, who had jumped up to lie on the bag containing Coffey. “I don’t see any rats.”

     The trells looked at each other.  Then the first one, after checking a piece of paper in her pocket, said, “Fiddle Faddle Feedle Folk, I smell the blood of a human bloke.  I don’t like humans—not at all: I’ll use his head for a volleyball.”

     “Oh, dear, dear, dear, dear no,” said the cat.  “You ladies KNOW how I feel about ‘bloke’.”

     “Told you,” the second trell told the first one.

     “And that feedle faddle business won’t do at all,” the cat went on.  “I DO like that bit about the volleyball, though.  You might work on that angle and see if you can’t come up with a really frightening poem.  I feel you’re right on the verge of something truly terrifying.”

     Nodding, the trells scurried away to work on their rhymes.  The cat let Coffey out of the bag.

     “Do you think….” He began.

     “Yes,” said the cat.  “All cats do.  You’d better take that silver kettle home with you.  Any corn you put into it will become magic feed corn, and will turn any chicken into gold.  Keep it in a safe place, mind, or you’ll have golden rats and golden chipmunks into the bargain.  And don’t forget my reward.”

     “Oh, I won’t.”  After a quick look up and down the tunnel,Coffey hurried to where he had landed, and reached up for another beansprout.

     “What a fussy creature!” said Mistress Klotsch, after he had popped out of the ground and told her what happened this trip.  “Imagine not liking applesauce!  Too sweet?  Still, it is a most generous cat, is it not?”

     “We have to think of a good reward before we run out of beansprouts,” Coffey told her.  “I counted, and there are only twelve.”

     But the coverlet stayed over these for three days.  His mother kept him busy, sending him out to buy cracked corn and chickens, quietly, just a chicken or two here and there, just as a neighbor doing business among neighbors.

     “And don’t stand around talking about why we want chickens,” she told him.  “Just say we’re going to make something out of them.  If they go on asking questions, just talk about soup.”

     After a dozen chickens had been turned to gold, Coffey reminded his mother that they had yet to reward the cat.

     “Of course,” she said.  “What was it the animal said about the applesauce?  Too sweet?  Take it a bag of the dried apple chips.  Those are nice and tart.”

     “Oh yes,” said Coffey.  “I like apple chips myself.”

     “Don’t you eat any of these,” his mother told him.  “They’re for the cat.”

     Once he had the bag, Coffey went out to the beansprouts.  He took hold of one, and before he knew it, he was in the tunnel of the trells again. In fact, he nearly landed on top of the cat.

     “Hello there,” the cat said.

     “There aren’t any trells around here, are there?” Coffey whispered.

     “No.  I told them there were likely rats in this art of the tunnel,” the cat replied.  “I thought you’d likely be back.”

     “My mother really likes the golden chickens,” Coffey told the cat.  “And she thought you might like these.  They’re apple chips.”

     “Apple chips?  Sounds interesting.  I’ll give them a try and tell you what I think.”  Coffey set the bag on the floor, and the cat out its head inside.

     “Crunchy.  Not bad.”  The cat ate every one of the apple chips, but when its head came out of the bag, it said, “No, not quite good enough.  Very nice, but not really up to all those magic items  But you’re a good fellow to try.  Come along and take a look at a chicken coop.”

     Coffey had already seen plenty of chicken coops this week, but the cat was already walking away.  So he followed, just to be polite.

     The cat led him to a big cave with chicken wire stretched across the opening.  The cat showed Coffey where to slip inside, so as to be in where the chickens were walking around, or sitting around.  There were roosts, nests, eggs, and one big old rooster who came rushing at them, making grumpy sounds.  Instead of getting out of the way, Coffey stood and stared.  Every time the rooster opened its beak, gold coins dropped out.

     “Do you think your mother would like him?” the cat asked.

     “Wow!” Coffey replied.  Seeing an old bag against a nest, he grabbed it up and put the rooster inside, as gold coins dropped to the ground around him.  The chickens, seeing what was happening to their rooster, dashed about, clucking and cackling and scolding.

     “Quick!” said the cat.  “Over here!”

     Coffey heard the footsteps and hurried to climb inside the box the cat showed him.  Through a crack between boards, he watched the trells make their way into the big coop.  They did look hungrier every time he saw them.

     And there were three of them this time.  The largest one looked around the cave and, seeing the cat, demanded, “What’s upset these fowl?  Have you been chasing their chicks again?”

     “Certainly not!” said the cat.  “I’ve been hunting rats: this is just the place to find them.  No doubt they’ve been bothering the silly birds.”

     The trells didn’t answer.  They walked among the excited chickens, sniffing.

     “Got a cold?” the cat inquired.

     The largest trell cleared her throat and folded her hands in front of her.  The other two looked from her to the cat, and waited.

     “Villey valley volley voe,” she recited, “If human people come below, we’ll call them simply dreadful names and use their body parts in games.”  She rolled her eyes down to the cat.

     “Well, now, that’s showing real improvement,” said the cat.  “Scary.  Gruesome, even.  But a little long in parts, isn’t it?  I mean, you can probably remember all those words, buthat about your sisters?  Something shorter and sweeter won’t tax their memories so much.”

     The other two trells nodded and murmured to each other.  “But it’s not bad?” said the first one.

     “Oh, you’re definitely on the right track,” the cat told her.  “If you keep working on it, I think you’ll have something really great.”

     Clapping their hands, the trells hurried away.  Coffey climbed out of the box with his bagful of rooster, and returned to the part of the tunnel with beansprouts in the ceiling.  “Have a nice trip,” the cat told him.  “And remember, that’s three magic things you had from me now.”

     As soon as he was out in the beanpatch, the rooster clawed out of the bag and marched around complaining about being hauled all over creation.  Gold coins spilled at Mistress Klotsch’s feet.

     “What a lordly creature a cat must be!” she exclaimed.  “I’ll bake it an apple pie1”

     She and Coffey went into the house, pulling the rooster along, its complaints and the clink of gold coins making so much noise they did not hear someone say “Aha!”

     Just down the road from Mistress Klotsch’s apple orchard lived Mistress Olsen, with a dusty chicken coop and a plot of per trees.  She sold pear butter and pears and perry to people who passed that way.  She had quick eyes, and had noticed Coffey moving about here, there, and all over buying chickens.  It was obvious that Mistress Kotsch had quite a lot of money, but Mistress Olsen had not seen so very many people passing the pear orchard to go buy apples.

     So she had taken to slipping out of her shop to hide in apple trees to watch and find out where Mistress Klotsch’s money was coming from.  Now she thought she knew.

     “They keep chickens down there to guard their gold,” she said to herself when she got home.  “There’s a door in the yard, and Coffey opens it by pulling on beansprouts.  The chickens make noise if they see a stranger.  They have so much gold stored down there they must be pirates.  Pirates don’t deserve all that gold.”

     She went to her own chicken coop to get chicken feed for the guards she thought she’d find.  “Mistress Klotsch must be the pirate, not Coffey,” she said to herself.  “He’s a good fellow.  He wouldn’t mind sharing gold with a neighbor.  I wouldn’t really be stealing any, just taking my fair share.  I don’t mind pirates if they share with their neighbors.”

     As soon as the sky turned dark, she slipped out among her pear trees until she made her way to Mistress Klotsch’s apple trees.  Then, walking even more quietly, she walked up to the house itself.  Setting down her bag of chicken feed, she took hold of all the beansprouts under the coverlet, the better to open the treasure house door.

     What happened next rather surprised her.  She had just enough time to holler “Help!”

     Coffey and Mistress Klotsch ran outside, but all they saw was a bag of cracked corn.  “Someone must have been here!” Coffey cried, “To plant corn in our beansprout patch!”

     “More likely trying to steal the beansprouts,” said his mother.  “I bet it was that nosy Mistress Olsen.  I’ve seen her sneaking around in the apple trees for days.”

     “Oh, surely not,” said Coffey, who liked pears.  “She’s too nice a person to sneak.  But I’d better go down and help whoever it is.  They won’t know about the trells, or the cat.”

    But because Mistress Olsen had grabbed as many beansprouts as possible, there were none left to be seen.  Mistress Klotsch fetched a candle while Coffey ran for a rake.

     Moving the dirt around very carefully, Coffey found just one tiny shriveled beansprout.  “I can go down,” he said, “But I won’t be able to come back up that way.”

     “Don’t go then,” said his mother.  “Let her find her own way out.”

     Coffey shook his head.  “Maybe looking up from below I’ll find another beansprout,” he said,  :Or maybe the cat can help.”  He took hold of the beansprout and went flowing down before his mother could stop him.

     The cat was waiting when he landed in the tunnel.  “Did I tell you to send down your whole neighborhood?”

     “Who was it?” asked Coffey, standing up.  “Was it Mistress Olsen?”

     “I don’t know any Mistress Olsen,” the cat told him.  “Some rude young woman came down, pushed me out of the way, and went off grumbling about the dirt in her hair and where was all the gold.”  The cat licked one paw.  “The trells are going to eat her with garlic gravy.”

     “We have to save her,” said Coffey, looking up and down the tunnel.

     “I thought you’d say that,” sighed the cat.  “You look like the type.  Come along and keep quiet.”

     The cat took Coffey down a side tunnel he hadn’t seen before.  At the end was a big room where dozens of trells sat around big tables.  Way back in this room was an immense fireplace.  In this, tied to a long pole, was Mistress Olsen.

     “Hey!” she shouted.  “Turn me over!  I think I’m done on this side!”

     “When the trells are all listening to me,” the cat told Coffey, “Slip along the wall and untie the creature if you have to.  Then run and hide in the chicken coop.  You know where.”

     Coffey nodded, but the cat had already sauntered into the dining room, where it jumped onto a table.  “This isn’t much of a party,” it said.  “Why doesn’t somebody give us a song, or a poem?”

     “Oh, you never like any of our poems,” said one trell.

     The cat looked surprised.  “Why, your poems are very good.  They could just be better: that’s all.  It would be a great loss to literature if fine poets like you were to fail because of some little detail.  Come on, let’s hear the latest.”

     The trells looked at each other.  Then, shrugging, one of them stood up and recited “Middle Muddle Maddle Moan: I wish they’d leave us all alone.  If human people come down here, we’ll eat them with our evening beer.”

     “There!” said the cat.  “What did I tell you?  That was lovely.  Do you have that written down?  Oh, that’s not a very professional manuscript: the margins aren’t wide enough.  But it’s a good poem.  Who else has one?”

     The trells were all eager to recite to the cat.  Coffey, with his back against the wall, slid into the room.  No one shouted at him.

     One trell WAS shouting “Feedle Fidle Fodle Fumble, human people make me grumble; if they come down here I’ll take their ears to use for breakfast flakes.”

“Well, now,” said the cat, after a second trell had recited her poem, “Would that be better, do you think, if you started with Meow Meow Meow Meow, why do they come here anyhow?”

     “What does ‘meow’ mean?” the trell poet asked.

     “I don’t know,” the cat replied, “It just seemed natural.  What’s all that Feedle Fidle Fodle Fumble stuff mean, come to that?”

     Even Mistress Olsen seemed to be paying attention to the cat criticism.  As Coffey got close, she turned her head and opened her eyes wide.

     “And if we saw ‘Why do they come here anyhow” we’ll have the words ‘come’ and ‘here’ two lines in a row,” a trell complained.  “That won’t sound right.”

     “You are perfectly correct,” said the cat.  “How clever of you to notice that.  Does ‘Why don’t they stay home anyhow?’ sound better?”

     Coffey kept burning his fingers trying to untie the ropes around Mistress Olsen.  Once she was free, she couldn’t walk.  “I came down to steal the gold,” she whispered, “But all I found was this.”  She opened an apron pocket to show him a solid gold rat with wings.  He didn’t touch it; he knew it would be burning hot from being so close to the fire.

     “How about ‘Dickle Dackle Dockle Dickens, they come down cackling like chickens?” asked a trell.

     “That’s all very well, if you want to write poems about chickens,” said the cat.  “I’d think you’d write about more impressive things, like trells.”

     Coffey slid out of the room carrying Mistress Olsen.  “Now where do we go?” she asked him.

     “The cat said to go to their chicken coop,” Coffey told her.  “Which I think is over this way.”

     He moved down a tunnel and walked so long that Mistress Olsen finally cooled off enough to walk by herself.  Suddenly, they heard shrieks and screams way behind them.

     The cat came trotting up next to them.  “I knew you’d go the wrong way.”

     The screams grew louder.  “What’s happening back there?” Coffey asked.

     The cat sniffed.  “They think I’m the one who stole their supper.  As if I were some sort of DOG.  They really are not the sort of people to appreciate cats, so I think I will come with you to the surface.  You’d better hurry.”

     He started off ahead of them.  “If this is the wrong way to go to the chicken coop,” said Mistress Olsen, “Why are we going this way?”

     “It’s too late for chicken coops,” said the cat, walking faster.  Coffey and Mistress Olsen walked faster too.

     A rat ran past them, going the other direction.  Two more rats followed it.  “Ugh!” said Mistress Olsen, kicking at them.  “I hate those things!”

     “Then don’t slow them down,” suggested the cat.  “Hey, all you rats!  You better hurry!  They’re having a chicken feast back that way.”

     Dozens of rats went by, paying no attention to the cat or the two humans.  “That may convince the trells to turn around and go back,” said the cat.  “Now, let’s get outside.”

     “There’s a way to get outside besides pulling at beansprouts?” asked Coffey.

     “No.  I just say things like that when I want to be silly,” the cat told him.  “Of course there’s another way outside: how do you think the rats get in?  Come on.”

     The rat tunnels were not all that big, and got smaller.  The cat could get through without getting any fur dirty, but Coffey and Mistress Olsen kept bumping their heads on tree roots and low hanging rocks.  “Come along, will you?” called the cat.  “Don’t tell me you can’t do anything a rat could do!”

     They came out at the base of a high, rocky hill down the road from the apple orchard.  When he was a small boy, Coffey had always been told not to play there because the rocks were loose and might come down on him.  “We’d better go,” he said.

     “But what about those…those things?” asked Mistress Olsen.  “Won’t they find the rat tunnels, too?”

     “The rats may have convinced them to give up,” said the cat.  “Listen and find out.”

     Coffey leaned an ear toward the tunnel.  What he heard sounded not at all like rats.  Some voices were saying “Fiddle faddle” and some were saying “Middle muddle” and some he couldn’t understand at all because of the tooth gnashing.  “It’s the trells!  They’re coming!”

     “Where can we hide?” exclaimed Mistress Olsen.

     Coffey reached into her apron pocket for the golden rat.  “Let me borrow this.”

     “You’ve already got all the gold you need!” cried Mistress Olsen, even louder than before.

     “Except this,” he told her.

     “Oh, take it, then,” she sighed.  “We’re all going to be eaten up anyhow.”

     “I hope not.”

     Coffey hurled the golden rat as high as he could up the slope.  The heavy piece of gold started to bounce back down.  Little rocks rolled with it.  These little rocks hit big rocks and knocked them down, and these big rocks knocked down some bigger rocks.

     “Don’t stand there watching!” called the ct, from up in a tree.  “Get out of the way!”

     Coffey and Mistress Olsen had worked their whole lives in orchards, so they knew about climbing trees.  They were up sitting next to the cat when the whole hillside seemed to slide.  Dust and rocks were flying all around beneath their toes.

     When everything had settled, the gold rat was nowhere to be found.  But neither was the opening of the tunnel.

     “Not bad,” said the cat.  “For somebody with only two legs.”

     They climbed down from the tree and then walked all the way to Mistress Klotsch’s shop, where they told their story.  By the time they had finished, the cat was curled up in Mistress Klotsch’s lap.  Mistress Klotsch shook her head at it all and, stroking the cat, said, “And what now?”

     “Well, to keep the secret of the gold in the family,” said the cat, “I believe those two had better get married, don’t you?”

     It took a certain amount of talking to convince everybody but, in the end, the cat had its way.  There was a wonderful wedding with apple cake and pears under ice cream and cider and perry and so on.

     “We owe everything to you,” Coffey told the cat on his wedding day.  “And you still haven’t been rewarded yet.  Isn’t there something I can give you?”

     “Give me some time to think it over,” the cat replied.

     And that is why, to this day, people who have cats give them the best things to eat, the best places to sit, and the warmest places to sleep.  And still cats never seem to be satisfied.  They will sit for hours, just staring and thinking of what else they should have as a reward.

     Sometimes a cat will simply disappear for a few hours, or even days, and then come back as if nothing has happened.  That cat has found a tunnel, and has gone slipping underground to check on the trells.  Cats must still check to make sure the trells have not stocked up enough gold to come out and buy the world, to run it as they please.

     For running the world, as everyone knows, is a cat’s job.