Gee Whiz

     I was just standing there minding my own business, when the thought struck me.  Just what IS the deal with that dog?  Or horse?  And exactly who’s the shady figure behind the deal?

     The Interwebs took some convincing before it would help at all.  I KNOW the computer has done a lot to speed up research, but I still resent all the time I spend explaining to AI that I really wanted to look up something entirely other.  Information on how James Abram Garfield got involved in the question was simply hopeless.

     What I NEEDED was a simple Dictionary of Euphemisms, so I could track down a few phrases I had run into over the years for having to leave the room to pee.  Okay, to urinate.  (Talk about uphemisms.)  The whole business, in one form or another, has been confusing me since I was a child and read Gulliver’s Travels, wherein there is a highly important turn of the plot in which Lemuel Gulliver saves the day by “making water”.  This was NOT a phrase used in the Midwest in the 1960s, and the whole thing went over my head (as, indeed, it did for the Lilliputians.)  My brain also somehow failed to make a connection of similar import when one of the boys in A Child’s Christmas In Wales suggests writing something in the snow.

      But I had no desire to track every single expression for going wee-wee.  NOR did I need synonyms for the potty itself.  ALL I wanted to know was the story behind certain phrases which signified “’Scuse me.  Gots to go to the Little Boys’ Room and moisten the necessary.”  And this simple inquiry…never mind.  Let us hurry, like the gentleman who just spoke, to the desired denouement.

     “I’m going to go shed a tear for Garfield”:  This came at me from a book published in the 1950s, so it has nothing to do with large orange cats.  I was able to find “shed a tear” as a popular phrase for the function, but data stopped right there.  The author of the book lived in southern California and Texas, so perhaps the 20th President had some special significance there.

     “I want to spend a penny”: Correctly used, in its native Britain, this should be employed only by women, as it relates to Victorian pay toilets, which required a big copper coin to use.  MEN did not have this expense, which is less a matter of evil patriarchy as a matter of form following function.  As pointed out by literary scholar Gail Kern Paster’s “Leaky Vessels”, men do have a simpler time of it: any handy wall will do.  Ladies, requiring a door due to a more vulnerable position…you get eh idea, don’t you?  And I complain because I have to pay for television programs I used to watch free.

     “I’ve got to go see a man about a dog” (or horse):  Or even a duck, according to a couple of Online Oexperts.  This is not as specific as other phrases, as it is usually translated as “I’m going someplace for reasons I don’t care to explain”, and MAY have originally meant you were leaving to pay the money you lost on a horse race or a dog race.  (But then why a duck?  Why a no chicken?)  Wikipedia claims that in some parts of the United States, the phrase varies depending on what you are going to do in the restroom, with seeing a man about a dog taking less time than seeing a man about a horse.

     That was about where I decided there were other things I could be doing with my time (no, oddly enough, not for THAT reason.)  And, anyway, I was not all that curious about the fairly simple stories behind “I need to powder my nose”, “I must answer the call of nature”, Percy and the porcelain, the wife’s best friend.  I will lift my mind from the, um, gutter, and go peruse Ogden Nash’s romance about the young lady whose life changed when she was visiting a nobleman’s castle, asked for the Little Girl’s Room, and was directed by a hard-of-hearing servant to the Earl’s Room.  There are plot points in that one which have always worried me.

LIKE A MIGHTY QUONKER, Chapter 11

     Matt took a fraction of a second, standing on the bottom step of the bus, to look for Marshall Silberwetter, or, more likely, one of his aides.  Marshall himself would probably not bother to venture out into the thighbiting wind just to witness another of his wife’s assignations.

     That fraction of a second was all Matt got before he was pushed out onto the sidewalk by the passengers behind him.  He stumbled, and twisted to the right, veering away from the north-south current so he wasn’t sucked into the mainstream.  Why were all those mounted polcemen out in the street?  A horse or two on the sidewalks would do wonders for navigation.  Or would that be cruelty to the horses?  A tank might do better.

     He took his bearings, braced himself, and plunged through the mob, using his briefcase as both shield and spear.  Pulling left, he made his way to a peaceful eddy between the traffic charging into Water Tower Place and the crush pushing past it.  He paused in the moment’s calm to study the herd instinct in his fellow pedestrians.  Everyone was even aiming for the same revolving door, while those to the left and right sat quietly unrevolved.

     Matt felt the doors to the right looked calmest, far from the main torrent.  No one stood anywhere near it, even, save for a lone Santa Claus, sheltered by a jog in the wall grom the prevailing winds.

     He swung to the side, blinking into that wind, to check the big Salvation Army tree across the street.  Their sign showed that a few  million had been dropped in the Santa pots so far.  Matt recalled he hadn’t dropped in anything so far this year; he didn’t recall dropping anything in last year.  His left hand snaked through his coat pocket, under his jacket, and down into the change that clumped in the depths of his pants pocket.  Lurching still against the wind, he noticed that Santa had no pot.  In fact, it was a remarkably unplump Santa.

     Santa’s eyes met his and Santa’s rosy cheeks dimpled encouragement.  Then  Santa’s hands gripped Santa’s red suit, and flipped it open.

     Matt could still remember his older brother Pete, coming upon a puzzled ten year-old flipping through some magazines that had been tucked under a mattress, and snarling, “Not a breast man, uh?”  Matt was rivetted nonetheless.  His eyes froze on target, despite an inner voice reminding him that when his eyes were stuck in one place that was the time he most desperately needed to turn them elsewhere.

     No comment rose from the crowd pushing to get into Water Tower; Matt was the only one who had noticed anything besides that one popular revolving door.  This kind of thing surely happened only in books and dreams!  He refused to believe a moment of this.  Steam curled away where frigid air hit rosy warm skin.  Matt understood who had to be under that triangle of thick white curls.

      He believed everything now.  He started forward again.  Santa closed her jacket and braced her feet shoulder-width apart.

     Assert yourself, Matt advised Matt.  Be strong, be calm.  He came to a halt a few feet from the impudent Claus.

     “You know,” he said, his voice cracking only a little. “This is getting to be a habit with you.”

     She replied, dimples blazing, “How did you guess who it was?”

     Telling the truth—that he had recognized her between beard and belt buckle—would send the conversation spiraling into the gutter.  “You’re the only person I know who’d go to the trouble,” he napped.  “Have you tried therapy?”

     Ada took off the Sata hat and ran one hand through her hair.  “I do wish so many great people weren’t deranged,” she said.  “It sometimes gives me doubts about myself.”

     Matt turned and pushed into the nearest revolving door.  Not until he reached the escalator and saw bustling shoppers turn to stare behind him did he look back.  And even then he asked himself if he really wanted to know.

     She had removed her beard and was now slipping off the jacket.  He started to lunge, but his briefcase caught him just below the right knee and nearly sent him toppling down the moving stairs on top of her.

     “Don’t fret.”  She smiled kindly.  “I closed cover before striking.”

     A shiny white blouse had been pulled up somehow over the offending frontal features.  Matt watched, burning, as she turned the jacket around, pulled the sleeves inside out, and produced, stepping off at the top of the escalator, a perfectly serviceable black down jacket.  Some of the escalator crowd applauded and she bowed, dimpling in all directions.

     Then she held the coat out.  Matt automatically took it from her and held it up for her.  “I designed this myself,” she told him, slipping her arms into it.  “For December.  Most people don’t get all psychiatric on me when I wear it.”

     She was almost pouting.  Matt would have felt triumph at scoring a point, but he was sure she had already plotted her next four moves with revenge in mind.

     They rode escalator after escalator to the level of the bakery.  “Um, wait here,” he told her at the door, without much hope.

     To Matt’s surprise, she stopped outside the door.  He felt her eyes on him as he gave Beth the latest rejection slips and took back the little yellow box.  There was no opportunity for conversation.  The manager was helping up front today, and was duly suspicious of the transfer of documents.  Matt nought a pair of macadamia brownies to mitigate his crime.

     “You have strange tastes,” Ada told him as he came out again.  “She looks like the kind of kid who hides under tables and waits to bite people.”

     Matt held out the box of photos.  He was not going to argue with such a perfect description.

     She shrugged, glancing toward the escalator.  “Whatever bumps your busy.  What’s she like about pictures of tombstones?”

     “Well,” Matt ventured.  “Well, she’s a poet.”

     This sounded lame to him, but Ada nodded as if it explained all.  “Do you like poetry?”

     “Um, er, ah, yes.”  He tried to push the yellow box into her hands again.

     She tucked them out of the way.  “You must come over to the house some time.  I’ll recite limericks.”

     Matt resisted an impulse to jam the box square into her midsection: the down jacket would have spoiled the effect.  She didn’t appear even to notice the yellow rectangle.  “What kind of poetry does the feral cookie chef write?”

     “Oh, ah, well, er….have you heard of Jinx Bottym?”  Ada shook her head; he supposed it had been a long shot.  “Well, all kinds, you know: free verse, haiku….”  He punctuated this catalog with a shrug as his voice trailed off.

     Her eyes rolled wide.  “And she gets money for that?  What a racket!”

     Matt pursed his lips, but could think of no retort.  Beth herself had said accepting money for haiku was like getting paid to wash your toes.  He cleared his throat.

     “Here,” he said, waving the box at her one more time.  “I’ve got to be getting home.”

     “Aw.”  She finally slipped her hands under the collection of photographs.  “And I thought you’d join me for supper.”

     Matt’s head shook fiercely enough that his glasses nearly flew off.  “My mother’ll be waiting.”

     “True,” said Ada.  She tucked the box somewhere under the big black jacket.  “Let’s go down to the third floor.”

     Matt had been heading for the big glass elevator anyhow, but glanced back.  “Why?”

     She smiled.  She let her jaw drop a little when she smiled, accenting the cheeks and letting her soft lips plump out.  “That’s where your mother’s waiting,” those soft lips whispered.

     Matt stared at them, and they went up.  “I thought the three of us could sit and discuss our case over dinner.  So I told her I’d fetch you while she looked at the travel books in Rizzoli’s.”

     “I…I…you left my mother…she’s alone…the crowds….”  Matt ;et three scalding breaths out through his nostrils before he felt cool enough to go on.

     “There is no ‘case’,” he growled, marching up in front of Ada Silberwetter.  “We are not going to supper.  We are going home.  Each of us to our own home.  Don’t you ever talk to my mother again.”

     Ada smiled some more, and her lips didn’t look so soft.  She reached up and pinched his cheek.  “Whatever you say.  You can explain that all to Mom, then.  Rizzoli’s.  In the travel books.”

     She turned and strolled for the elevator, each bounce daring him to follow.  Matt closed his lips and gritted his teeth.

See More Sea Shore

    “Shall I sell you something, sir?”

     “Yer kinda cute.  Whatcha got fer sale?”

     “Seashells.”

     “Seashells?  We’s at da beach!”

     “Yes, sir.  I sell seashells by the seashore.”

    “What the hey?  I can walk all over and pick up my own seashells!  Ya can’t make much doing ‘at?”

     “Well, sir, I am able to pick up things besides seashells.”

     “’At’s what I thought.  Tryin’ ta pick ME up, are ya?”

     “You flatter yourself, sir.  I pick up information.”

     “Say what?”

     “People come here to soothe their senses, sir.  And when the senses are soothed, secrets are said.  I got the reward for telling authorities who put pussy in the well, and who got away with Lucy Locket’s pocket.”

     “Ah, I getcha.  Information.  Yeah.”

     “I tipped off the woodcutter about what the Big Bad Wolf was planning for Red Riding Hood, and the wicked witch….  Did you know that apple was only poison rightside up?  She could turn it upside down and take a bite out of it to show Snow White it was safe.”

     “Never hoid that.”

     “No, Snow was so sweetly unsuspicious the sorceress skipped it.  Waste of time.”

     “And guys just talk about this stuff where you can hear it?”

     “Who sees a short shy sweetheart selling shells?  So I sold the suits stories about Tom Tom the Piper’s Son’s hideout.”

     “And ya gets big scores like that often enough ta pay the rent?”

     “There are stories I shan’t sell, sir.  I save such for emergencies.  So far I haven’t even hinted that I heard from one of the men who pushed Humpty Dumpty off the wall.”

     “You did, hey?”

     “Yes, but a seashell seller should set something aside.  For a rainy day, you see, sir.  I know a reporter who’d get mighty busy if I told her what I heard about who REALLY killed Cock Robin.  Silly so-and-so’s sure suspect someone else, so….”

     “Um, just ‘cause I’m curious, how much are them seashells?”

    “Sixty simoleons for shiny sizeable shells.  Seven less for simple sandy shells showing souvenir sayings.”

     “Sixty….  That’s seaway robbery!”

     “Suit yourself, sly city slicker.  At six I see Sue from the Sin City Citizen-Circuit to see….”

     “I’ll take five of the fancy ones, okay?”

     “It’s a pleasure doing business, sir.  See you Saturday?  I sell seashells summer Saturdays and Sundays in the shallows from seven to seven.”

     “Nah.  I’ll relax better in a cabin the mountains.”

     “Say, my silly sister Sally sells snowshoes at the summit of Shasta.”

Finding a Good Seat

     Last week, we looked into the role played on postcards of couches, sofas, davenports, and settees, concentrated on postcards which showed the usefulness of this type of furniture for courting couples.  However, postcard artists were also alive to the possibilities of the couch as a setting for women sitting by themselves.

     The word we’re looking for here is “display”.  Painters were aware for centuries of the potential for long furniture to let a model stretch out and offer broader vistas (so to speak) to the viewer.  Of course, you and I are really more interested in the evolution of the sofa itself, from this sort of Empire Style….

     To this mid-century sectional sofa, similar to the one seen in the arcade car at the top of this column.  (This may or may not be the place to tip our hats to the small joke of that day where any characters inclined to get their words wrong would refer to this as a “sexual sofa”.  This would, depending on whether the censors were listening, might lead to a designer suggesting that the proper accent to a sexual sofa would be an end table or “an occasional piece”.  The world of off-color furniture jokes has not really been studied.  For good reason.)

     The major era of humorous postcards preferred to focus on the solid state sofa, like this one, which MAY be a settee, or couch designed for just two people at a time.  We could simply be dealing with a very tall model.

     This card from a generation earlier shows the settee at its best and most characteristic.  Like a hammock, a settee sort of dictated that two people could not sit very far from each other, which could be convenient in a strait-laced society.

     More homes at mid-century favored a longer sofa which could accommodate more people.  (Or, again, one very tall model.  Compare the wife’s apparent seat width against that of the couch, and her obvious height with the maid’s dimensions.)

     Yes, mid-century designers frequently went for something less cushiony.  A whole-hearted determination to do away with the comfy arm at each end did not sit well with pin-up cartoonists, who largely ignored this  trend or threw in a lot of souvenir pillows from Funicello Beach to make up for it.  But take note of that other piece of furniture at the lower right.

     This comes very close to becoming another favorite of the pin-up cartoonist, the chaise longue.  (Yes, I KNOW your family always called it a chaise lounge, because you lounged in it but trust me, it’s a chaise longue: just think “long chair” and all becomes clear.  Just because everybody says it the other way doesn’t make it right, like “safety deposit box” instead of “safe deposit box”.  And who decided that “concerning” was an adjective?  The….  Where were we?)

     I would have to hunt around among the experts to learn whether the chaise lounge…longue is considered a couch or a chair.  This brings us dangerously close to discussing the role of CHAIRS in pinup postcards.  This is a whole nother problem, not to mention w hole nother series of blogs.  The chair, see, has a LOT more different parts to play on postcards: not only a place for underclad females but also the place where tacks can be set for the unsuspecting sitter.  Chairs can swivel, or recline, or fly through the air in a bar or living room, or be tied on the top of the moving van.  Couches have a more relaxed life.  (And there: I got through two blogs about couches without even mentioning the French verb ‘coucher’ and its possible connection with cootchy-coo.)

LIKE A MIGHTY QUONKER, Chapter 10

     Holly had worked herself into a fine froth over the narrowmindedness of parents, the nosiness of aunts, and, particularly, the wholly unsatisfactory qualities of stepgrandmothers.  “I mean, like she’s tried it!  Huh!  I bet she’s the villain in the book.  Miss Skull would be a good name for her all right: she’s deadly.  That Mr. Thaxter—but he was a jerk—and Uncle Geegee!”

     “Mm,” Matt agreed, looking down at his nails.  They needed work.  His father had always used a pocket knife for that.

     A moment of silence fell between them.  Matt looked up, hoping another genial “Mm” and the way he had chuckled at all her anti-Ada remarks had given her to know she had nothing to dread.  But Holly’s face was unreadable.

     With one sweep of the hand, she swept the cookie crumbs from the table.  “Well, I can’t complain,” she lied, standing up.  “I guess it’s the season for fruitcakes.”

     She marched from the lounge, tassels bouncing, leaving Matt to wonder whether this had been aimed at him or another.

    Studying his scratch pad, he scribbled his name—Matthew Benz—and stared at the autograph, wondering whether it would ever be worth anything.  A genuine page of Matthew Benz notes….  He glanced up with foreboding as two shadows approached the table, but these ignored him and passed on.

     “Thought you’d’ve gone out of town for the winter,” said one to the other.  Matt recognized the voice.  These two men had grown old in the service of the city, and had now risen so high, and had memories so long, that no on dared risk offending them by suggesting retirement.

     “Well, we generally go to Arizona,” said the second man.

     “We generally go west.”  Matt heard a chair being pulled away from a table.

    “We have a….  Arizona’s west.”

     “Is it?  We generally go west.”

     “Oh, well.  Most years we go to Arizona.  Out west.”

     Matt wondered whether he wished both of them had gone west years ago.    He decided he could not possibly hold anything against them when there was an apple waiting.  Anyhow, there were people he could loathe with better reason.  These two were the only headline-makers who ever wandered into the lounge, and whose acquaintance he could boast of.  (Though they always mistook him, when they perceived him at all, for the vending machine servicer.)

     He reached for the apple, slumping down in the chair a bit.  A new shadow fell across the table.

     Matt looked up.   The shadow was Walter Prince.  Matt let go of the apple and sat up again.  Walter Prince had never, in his memory, ever set toe inside the lounge.

     Vicious little eyes narrowed.  “You’ll be going to that party, I suppose,” growled the top man of Down.

     “Well, we, yes,” said Matt.  “I was, er, planning to.”

     Walter Prince nodded.  :Good.  The Department needs the exposure.”  He turned away to clear his throat and looked again at Natt.  “Got a ride?”

     “Mm, oh, yes.”

     Water Prince grunted, and pulled back on the much-occupied guest chair.  Sitting down, he set the fingertips of one hand against the fingertips of the other hand, and considered the effect.

     “I suppose the Silberwetters will be there,” he noted, giving most of his attention to the fingertips.

     “Um,” said Matt, taking a chance on reaching the apple again.  His fingers brushed it just as Walter Prince looked up and then looked away, shrugging.

     “Everybody’s up for parties, this time of the year.  Just when we ought to be concentrating on the work to finish off the calendar year.  Makes our A game impossible.”

     “Um,” Matt replied.  Was this a hit?  Would Walter Prince prefer him to skip the party?  He looked from his apple to the boss’s face, only to find Walter Prince’s eyes resting on him with impatient expectation.

     This always happened.  Whenever there was a pause in a conversation and Matt knew it was his turn to say something, he came down with writer’s block.  “Um, ah.  Well.”

     Another furrow appeared between Walter Prince’s eyebrows. That wasn’t going to suffice.

    Matt heard brainstorm thunder.  Walter Prince had brought up parties, so why not do a little detective work?  It wouldn’t do any good, probably, but it would bridge an awkward conversational gap.

  “Oh, parties!”  He tried to make it sound spontaneous.  “Say, did you go to the Thanksgiving party at the Silberwetters’?”

     The other man’s head rocked back and his eyes rolled up as if only the bottoms of them would do to gaze at Matt.  “No,” he said.  “No, no.  No time.”

    His head came down and, after an unconvincing chuckle, he went on, “I could make time, to be sure.  Lots of things I need to make time for.  I keep panning to make a day to go around the Department, asking around, just to find out what people think about…things in general.  After all, communication is what makes the Department essential to City government.”

     This was news to Matt. The way he’d heard it from Walter Prince at least four hundred times, Down had become indispensable due to the excellent filing system set up by Walter Prince’s predecessor, maintained by Walter Prince’s unceasing efforts in spite of the stubborn stupidity and uncooperative attitude of the staff.

     “People get to feeling confined, of course, this time of year,” Walter Prince went on.  “But even if we have disagreements now and then, communication keeps the Department running smoothly.  We know what everyone’s doing, how they feel, and so forth.  It’s not for Our Department, all the scheming and backstabbing that goes on in the other divisions.   We can talk to each other instead of going over someone’s head to annoy somebody higher up.”

     “Ah!” Matt observed.  He shifted his apple from one hand to the other.

     “That Holly…MacTaggart, you know…she threatens, but she’s just letting off steam, you know.  Just sort of a joke.  She’s an asset to Our Department, with that sense of humor, a fine worker.”  Walter Prince swallowed and put both hands out flat, palm up.  “To be sure, she’s young, but that’s to be expected at her age.”

     Matt wondered if there was an unobtrusive way to bite into an apple.  Walter Prince was apparently not here to deal out commands or reprimands, apparently: he was just concerned about his loaves and fishes.

     There ought to be a way to put the boss at ease.  After all, if Walter Prince started to consider him as a serious threat, the next budget cut might serve as a signal that certain high-paid positions would need to be terminated, just in self-defense.

     “Um.”  Matt rubbed one sleeve across the apple.  “Really strange, wasn’t it, Mrs. Silberwetter turning up this morning.  Why did she come to see us with that mystery author, talking about skulls?  Miss Skull, was it?”

     Those eyes, never very attractive at their best, rolled back again.  Walter Prince cleared his throat. “I had…no idea they were coming.”  This came out of the left side of his mouth.  A quick nod followed.  “Did you?”

     “No, I….”

     Matt fumbled the apple while passing it hand to hand.  Shoving a foot under it averted serious bruising, at least to the apple.  He stooped quickly to retrieve it, launching a cascade of pens and pencils from his pocket across the table.

     “Well, you’ll want to finish lunch,” said his supervisor, a smoothness in the voice suggesting Matt’s innate grace had been a better testament to his harmlessness than anything he might have said.  “Don’t dawdle.  We have work to do, parties or not.”

     He seemed content as he left the lounge.  But as Matt crunched through the apple, their conversation ran on a loop through his brain, each word with a different intonation for every rerun.  He hoped that no remark of his could be taken as evidence that he was planning a coup.  But could he be sure?

     He wondered if there was still time to head for Arizona.  Out west.

Sofa Sogood

     We have, in this space, considered what our postcard artists have shown us about the mechanics of romantic couples sitting together on park benches, in boats, on the road in buggies or automobiles, and in hammocks.  Today we shall consider the dramatic range afforded by the couch.

     See, there is not nearly as much room for negotiation on a buggy seat, and even less in a hammock.  It takes real acrobatic skill for people to sit at opposite ends of a hammock.  But a sofa has room for personal space and, thus, suspense.

     We are, by the way, considering “couch”, “sofa”, “settee”, “chesterfield”, and “davenport” (and whatever else you’re going to come up with) as synonyms.  I am informed by the interwebs that “settee” was once used to describe  small sofa which had space for only two people, but that this gradually became obsolete.

     The postcard artists preferred a large piece of furniture for the beginning of the date.  This allowed for space to make it clear that we are generally dealing with two people who are interested in each other but have not quite reached the stage where is outcome can be taken for granted.  (I assume THIS young lady, whose caption suggests “maybe” but whose body language says “no, thanks”, is just trying to figure out what she’s dealing with.)

     These cartoonists knew we would find the suspense funnier (and more relatable) than a simple yes or no.  That’s why the sleeper sofa is so rare on postcards.

     Eventually, of course, somebody has to make a move.

     AND, with luck, those sofa cushions are put to the test.  (This particular davenport is apparently well traveled.  Those pictures on the wall are not labeled by which ones have been told “No”.  That stands for “Number”.  This message brought to you for those familiar with only texting English, where # takes less space.)

     HOWEVER, the cartoonist’s fortune is not made with happy endings.  So the center of the sofa is not always the finish line.  Disappointment frequently awaits.

     Or, worse, parental disapproval and enforced curfews.

     And, horror of horrors, the worst fate of all: parental interference plus really old jokes.  But, as we have been told, comedy is not pretty.

There’s a Hole in the Dumpling, Dear Liza

     I do not write a food blog, but yesterday I was considering my time as a history fair judge and moved, by odd avenues, to a recollection of  a Book Fair volunteer’s experiences with cut-rate bakery, and finished up among my memories of the doughnut as I knew it in the middle of the now-fading century.  Rather than foist all this off on an inoffensive therapist, I thought I might turn my observations into a blog.

     In my boy days, doughnuts were encountered in three basic forms:  National Commercial (packaged), local commercial (bakery), and home-made.  These were three very different forms, and could not be mistaken for each other under any circumstances

     Packaged doughnuts were primarily found as Hostess Donettes.  I am aware there were full-sized doughnuts in boxes in those days, but these either did not come to my town until later or were just off my radar.  These have been played with by corporate fiends since, but came in those days as Powdered Sugar, Chocolate Frosted, and Crunch (which were the soggiest.)  Chocolate-covered were somehow messier than the powdered sugar ones, as the powdered sugar over time congealed into a light fragile shell which could be flaked off and eaten individually.  As I grew older and discovered Efficiency, I found I could, with practice, pop a whole one into my mouth and consume it without gagging, eliminating most of the potential mess.  (I also apply this technique to Oreos and mini-muffins, to the shock of bystanders who are just jealous.)

     As for Bakery,  national chains like Dunkin’ also did not come to my town.  We, like everyone else, went to inhale the aroma and warmth at a family bakery.  I cannot speak for others, but I ignored the wedding cakes which were probably their bread and butter (so to speak) and the cookies, and concentrated on the fluffier baked goods: long johns, bismarcks (jelly doughnuts), glazed doughnuts, and my father’s favorite, the chocolate doughnuts.  We bought these on Saturday, when we picked out a loaf of French bread for Saturday night’s garlic bread (except to some people it was Vienna bread or…but that’s whole nother blog).  Doughnuts and such were thus always a day old when consumed Sunday morning before studying Athelstan Spilhaus’s latest in the Sunday funnies.  They were still special, though the glazing frequently crytallized into a clear shell.  It came as a revelation when, in my twenties, I worked at a History Day Fair and ate a doughnut which had been cooked the same day I consumed it.

     Homemade doughnuts were deep-fried.  My mother produced these on rare occasions, for it involved a process, a procedure.  Step One was children being banned from the kitchen.  My mother had a thorough grasp of the essentials.  We MIGHT, in the dining room, be trusted to help cut the doughnuts out of the dough, producing doughnuts, doughnut holes, and magic pointed odd bits between doughnuts.  These were then, at a safe distance from offspring, dropped delicately into hot fat and fished out to be briefly drained, and then delivered hot to the offspring, who waited with paper bags filled with sugar or the cinnamon sugar blend usually reserved for cinnamon toast.  (Memory fails me there.)  A child’s job was to shake the bag energetically until doughnuts, holes, and alien anomalies were coated, whereupon they would be dumped into a towel-lined Dutch over with a ringing lid one had to LEARN how to lift without making a sound to sneak a snack later.

     These were best if eaten when barely cool enough to tolerate.  The alien shapes went first: they had those crispy spikes at the corners.  Doughnut holes disappeared next (easiest to sneak out of the Dutch oven when no one was—you thought—watching.)  The doughnuts might linger for a few days, perhaps even a week, becoming heavy and a bit damp.  They were still remarkably good; they just took longer to eat and you risked observation.  (“You’ll spoil your supper.”  Maybe that was the inspiration to learn to pop all the evidence into my mouth at once.)

     I COULD make these myself, I suppose.  But, having deep fried a few things, I lack the faith: less in my ability than in my patience, as the fat must be hot enough and must reheat between batches and, anyway, what DID become if my mother’s cooking thermometer?  And though I can still buy Donettes, the ability to sneak one into my mouth all at once seems less of an accomplishment.  The doughnut places, once so trendy and all over everywhere in my neighborhood, were replaced by muffin shops, which were then replaced by coffee shops.  Nowadays I limit myself to trying (and failing) to get to the store before all the apple fritters are gone.

     This is simply a century of a different cruller.

LIKE A MIGHTY QUONKER, Chapter 9

     The sandwich gone, Matt was scribbling a lyrical passage about a cake with black icing that might fit into the Monochrome Interlude when someone told him “Not much in the dukey crowd today.”

     Looking up, he found Carleton Nairn, a cup of coffee in one hand, settling into the seat Linda had vacated.  “What’s the best way to drink this stuff?” the newcomer asked.  “Or should I just keep punching buttons until I get one that’s bearable?”

     Matt had never tried the vintage coffee vending machine, but he’d heard about it.  “Yeah,” he chuckled.

     Carleton Nairn sipped at the paper cup and winced.  “Urf.  Hey, I hear there’s a party Friday night.  Going?”

     Matt nodded.  “Can I give you a ride?” Nairn went on.

     “Um, no.  Thanks.”  Lest he hurt a new colleague’s feelings, he added, “I’ve, er, already got one.”

     “Be nice to see everyone,” said Nairn, attempting another sip.  “Even if most of them suddenly don’t remember me.  I heard the Silberwetters are going to be there.”

     Matt raised one shoulder to express ignorance and apathy.”  They’re always somewhere,”    

     Carleton Nairn went on, a tinge of nostalgia in his voice.  “Hey, maybe you went to their Thanksgiving do?”

     “I was at my brother’s,” Matt told him.

     “You turned the Silberwetters down?”

     “I was not invited,” said Matt, fixing his eyes on Carleton Nairn’s face.

     His companion didn’t seem to notice.  “Well, I hear it was something: one of those Turley Buffets you can have catered, you know, with owl’s eggs, goose livers, every bird except turkey.  I like a buffet deal, myself: if everyone’s standing, no one’s inspired to make a big speech.  Now, who was it told me about that?  Mr. Prince, I believe, going on about parties.  He seemed annoyed about something.”  Nairn took another sip of pseudo-coffee.  “Likely he’s annoyed about everything.”

     Matt forced a smile and a half-hearty “Heh-heh.”

     Carleton Nairn’s eyelids fluttered as though someone had shined a bright light into his face.  He cleared his throat and went on, “Not shy, is she?”

     Matt scribbled “Two bricks shy of a load” on his scratch pad, but decided he didn’t know Carleton Nairn well enough.

     “We go way back,” Carleton Nairn went on.  “She’d get her claws into any man she laid eyes on.  I guess you never even saw her before she turns up in your office.”

     Matt shuddered and tried to close his mind’s eye.  “Oh, I’ve seen her.”

     Watery eyes reflected up from watery coffee as Nairn leaned into another sip.  “Oh, that’s right.  She used to work in Streets and San.”

     “Before my time,” Matt told him, with another shudder.

    “That was back when Walter Prince still had your job.’  Nair settled back in the chair.  “And I….I knew the whole crew down Down: Thaxter, Prince, Silberwetter…but to you I guess this is as old as jellybean jokes.”

     “No, no.”  Matt set down his pen and folded his hands into what he hoped was a position of interest.  “Um, fascinating.” One hand strayed toward the apple, but came back.  Matt didn’t eat apples in front of witnesses: why force anyone to look at his teeth?

     “Not very,” Carleton Nairn told him.  “People you never knew, some dead, some hitting the bricks….”  He sucked in more coffee.  “She ever talk to you about the Good Old Days?”

     Matt’s eyes were on the apple.  “We, um, didn’t discuss that.”

     Carleton Nairn looked Matt up and down, shrugged, and checked the inside of the paper cup.  “I still remember how shocked they all were when Jerry was killed.”  He wadded the empty cup between his hands.  “Well, we all were: it was tough luck. The burglar never expected to find him in, watching TV, and had to shoot him to loot the place.  After her time, though, I guess.  She was divorcing Thaxter already by then.  Or was he her second?  Anyway, she likely wouldn’t remember that.”

     Matt shrugged again.  Carleton Nairn stood up.  “So.”  He flipped the stained wad of cardboard toward the trash can.  “Be seeing you at the party, I guess.  IF I don’t come begging for help this afternoon first.”

     “Um,” was Matt’s reply.  “See you.”  He watched Nairn cross to pick up the cup, which had missed the can by a yard.  As soon as his new subordinate reached the door of the lunge, Matt grabbed the apple and brought it toward his mouth.

     “Why, hello, Mr. Nairn,” came a chirp from the door.

     “Howdy, Ms. MacTaggart,” Carleton Nairn greeted the owner.  “Going to the party?”

     “Oh, yes!” she told him.  “It’s my first as an employee.  You’ll be there too, won’t you?”

     “Wouldn’t miss it.  Free food and drink, right?”

     Matt slowly lowered the unbitten apple as Holly sashayed past him to the vending machines.  This was all surely his imagination.  He was a writer, after all, so naturally he was practiced in imagining plots where there weren’t any at all.

     Holly planted the backs of her hands on her hips as she confronted the candy and cookie dispenser.  Matt was not the only inhabitant of the lounge watching.  Her quilted blouse had a deep golden V by way of neckline; her belt, of the same semi-metal, fastened with a crescent moon in the vicinity of her navel.  A necklace of black and gold feathers tortured into figure eights wandered over her shoulders to her chest and back again.  Tassels of red and green hung from black vinyl boots for an incongruous holiday touch.

     She made her selection and leaned a long way forward to drop in her money and press the right buttons.  Matt-the-Writer scrawled a few descriptive notes on the scratchpad.  The pants slid along well-muscled caves to wrinkled deeply at…what part of the body?  Backs-of-the-knees?  Kneepits?

     He scribbled “Kneepits?  Real word?  New one?”  Would this fit somewhere into “Ascent of the Ruby Slippers”?  Which of his characters did he want to sport noticeable kneepits?

     Metal scraped on the floor and Holly plopped down into the chair already warmed up by Linda and Nairn.  Her little box—six Oreos–slid onto the table as she reached down to unbunch the fabric at her kneepits.  Then she adjusted cloth farther up.  For a moment she just sat on her hands, her knees together but her ankles spread beyond the metal feet of the chair.  This close, Matt thought she looked younger, more vulnerable.  She was not, after all, so very old, and still a newcomer to Down, a novice even if she did have Marshall Silberwetter for a grandfather, and could….

     That train of thought was derailed by another word question.  Matt scribbled “stepgrandmother” among his notes.

     His movement broke the spell over Holly.  She wriggled a bit and then brought her hands up to the Oreos.  “Are you going to the party tomorrow, Ma…Mr. Benz?”

     Matt was thrown off by this address.  He swallowed hard.  “Mm-hmm.  Er, free food, right?”

     She laughed just as she had for Carleton Nairn.  Her eyes did not move away from Matt’s.  “I could give you a ride.”

     Matt held up both hands, palm out.  “No thanks.  It’s…it’s been taken care of,”

     The intent look on her face informed him he had chosen precisely the wrong phrase.  “Ye-es.” She slid one finger across the Oreos.  “My grandmother will be there, won’t she?”

     Matt felt a sudden kinship with the cats in Pepe LePew cartoons.

FRIDAY FICTION: Budget Hearing

     “Military spending is at an all-time high and the Royal Treasury tells me it is not hard to understand why.  You, General, ordered 412 operations last year in which all our infantry and cavalry mounted a full assault.  That’s more than one Red Alert per day!”

     “Yes, Your Majesty.  We WERE quite fortunate that so many of them were within an hour’s ride of Headquarters.  Thus year we may not be able….”

     “And you were late for this meeting because everyone had to assemble forty-five minutes ago?”

      “Yes, Your Majesty.  The operation was a complete success.  It was our duty to help with Jolly Ollie Orange’s sunburn.”

      “Was it really important enough to call out all our forces?”

     “He was starting to peel!  I understand, Your Majesty, it IS expensive, and it’s a lot of effort, but Your Majesty’s men and horses have been dealing with bad publicity ever since that egg case.”

     “But does every single call require all of you scrambling to respond?”

     “Well, Your Majesty, we worry about the kind of publicity Your Majesty’s forces would receive if people found out that only half the king’s horses and half the king’s men were coming out to help.”

     “You can’t make an omelet….”

     “Excuse me, Your Majesty, I must take this….  Colonel, declare a red alert!  Notify all the horses and all the men: we must go.  Mount up!  We’re riding out!”

     “At least tell me what the emergency is.”

     “We MUST answer this one, Your Majesty.  Chicken Little says the sky is falling!”

     “Very well.  But if it turns out it was just her son Humpty falling on her….”

Safe To Go Back in the Water?

     One of the common paradoxes examined in old postcards is the conflict between people who go fishing in hopes of getting a bite, and then being shocked when they get one.  Dogs and mosquitoes are the usual sources of discontent, but the world of aquatic life offers creatures who get logical revenge on the people who came down in hopes of eating TTHEM.

     The water dwellers, though, understand their jobs on comic postcards, and do not limit their attention to anglers.  Go for a swim or a bathe or a dip or a paddle (or any of the other words we came up with over the years for a watery break from routine) and you risked the attentions of clawed critters.

     My research into this topic was originally aimed at checking the passage of time in these mailable cartoons.  I assumed, incorrectly, that those postcards which involved threatened or actual damage to a vacationer’s toes were the originals.

     The inventory here at fine old joke central refused to give me data to support the idea that toe-nipping belonged on the earlier postcards.  I assumed that artists moved away from the era, as in the card above with the dance of the lobster and the fat man, when the less controversial parts of the body were the center of attention….

     To a more libertine time when the same jokes could be applied elsewhere.

     But (and I use that word with some trepidation) it turned out that the move up the anatomy to other obvious targets started much earlier.  There is some evidence that the toe snap and the butt bite developed together, and may simply have depended on whether the artist could draw feet.

     After all, the audience is going to get the point even if you have only the most modest ability to draw the human form (observe how this artist has saved trouble by keeping most of these folks out of frame or underwater.)

     Not that scientific accuracy in drawing the assailant is particularly required, at that.  (What a determined crustacean!  DO they actually float around like that just to tickle swimmers?  I always assumed they crawled along the bottom…okay, let’s just move on.)

     I do not have access to every postcard ever printed, of course, but how come I’ve never seen a water creature defending its territory by nipping a finger?  Or a knee?  Perhaps toes and tushes are the only parts of the body that cartoonists considered especially funny for biting.

     Look, there’s an exception to every rule.